Jane Austen
Writing, Society, Politics
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- $7.99
Publisher Description
It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. So runs one of the most famous opening lines in English literature. Setting the scene in Pride and Prejudice, it deftly introduces the novel's core themes of marriage, money, and social convention, themes that continue to resonate with readers over 200 years later.
Jane Austen wrote six of the best-loved novels in the English language, as well as a smaller corpus of unpublished works. Her books pioneered new techniques for representing voices, minds, and hearts in narrative prose, and, despite some accusations of a blinkered domestic and romantic focus, they represent the world of their characters with unsparing clarity. Here, Tom Keymer explores the major themes throughout Austen's novels, setting them in the literary, social, and political backgrounds from which they emerge, and showing how they engage with social tensions in an era dominated by the French Revolution and the Napoleonic Wars. The Jane Austen who emerges is a writer shaped by the literary experiments and socio-political debates of her time, increasingly drawn to a fundamentally conservative vision of social harmony, yet forever complicating this vision through her disruptive ironies and satirical energy.
PUBLISHERS WEEKLY
This meticulous treatise from Keymer (Poetics of the Pillory), an English professor at the University of Toronto, provides an effective overview of Jane Austen's life and work. He begins by situating the reader in the physical world Austen inhabited, describing in detail the Elizabethan mansion where she stayed as a guest of her wealthy brother and the "snug little cottage" where she lived with her mother and sister and produced most of her writing. He then looks at the parodic, irreverent, and sometimes off-color writings she produced for her family's amusement as a teenager, which are now viewed as evidence of her "disruptive instincts." From here, Austen's six published novels are dealt with in terms of major themes and relevant historical background for Emma, he homes in on Austen's concern with England's "moral health and social wellbeing" in the decadent Regency era, and on the irony that she was compelled to dedicate the book to the man she held responsible for that decadence, the hard-living Prince Regent. Throughout, Keymer draws on Virginia Woolf's views on Austen, whom the later novelist deemed the "forerunner of Henry James and of Proust," particularly in relation to Austen's final published work, Persuasion, whose protagonist Woolf saw as the "heroine with whom Austen most personally identified." Janeites of all stripes should take note of this critically robust account.
