Juliet, Naked
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4.2 • 5 Ratings
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- $15.99
Publisher Description
NOW A MAJOR MOTION PICTURE STARRING ETHAN HAWKE AND ROSE BYRNE
From the beloved New York Times bestselling author, a quintessential Nick Hornby tale of music, superfandom, and the truths and lies we tell ourselves about life and love.
Annie finds herself caught in the web of a relationship with Duncan, who adores Tucker Crowe, a reclusive singer-songwriter who vanished from the music scene years ago. As Annie's love for Duncan fades, an unexpected email correspondence with Tucker sparks a connection between two searching souls.
What happens when a washed-up musician looks for another chance? And miles away, a restless, childless woman looks for a change? Juliet, Naked is a powerfully engrossing, humblingly humorous novel about music, love, loneliness, and the struggle to live up to one’s promise.
APPLE BOOKS REVIEW
If there’s one thing Nick Hornby loves as much as music, it’s zealous music fans. The characters in this novel are cut from the same cloth as those in High Fidelity, but now they have the internet to unite them. In a dreary English seaside town, a love triangle emerges between a pseudo-intellectual obsessed with a reclusive musician, his fed-up girlfriend, and the aging rocker himself. Despite wistfully addressing themes of aging and life slipping through your fingers—and a run-down, windswept setting—Juliet, Naked is a fun read. We think Ethan Hawke is perfect for the movie version of Hornby’s rocker protagonist, Tucker Crowe.
PUBLISHERS WEEKLY
Hornby returns to his roots music, manic fandom, messy romance in his funny and touching latest, dancing between three perspectives on fame: a sycophantic scholar, an appreciative audience member, a fabled singer-songwriter who can't see what all the fuss is about. After cult musician Tucker Crowe vanished from the public eye 20 years ago, his small but devoted fan base built up a mythology around his oeuvre and the people and places associated with his storied life. Self-appointed "Crowologist" Duncan has indoctrinated his girlfriend, Annie, on the wonders of Tucker, but when Annie fails to recognize the genius of a newly released version of Crowe's classic album Juliet, their 15-year relationship quickly crumbles. Meanwhile, Duncan's glowing first review is increasingly de-bated, while Annie's deconstructive essay posted on the same Web site earns her a clandestine e-mail correspondence with the reclusive musician. Soon, their exchanges grow more personal; given that Tucker lives in an American backwater and Annie resides in a remote English town, both view their e-mails as a safe flirtation until the dissolution of Tucker's latest marriage and a crisis with one of his several neglected children brings him to Annie's side of the Atlantic. Through brisk dialogue and quick scene changes, Hornby highlights each character's misconceptions about his or her own life, and though Duncan, Annie and Tucker are consistently ridiculous and often self-destructive, they are portrayed with an extraordinary degree of sympathy. Tucker's status of Dylan by way of Salinger allows for an intriguing critique of celebrity fetishization and of the motives behind the eccentricity that comes along with fame. Obviously, this is a must-read for Hornby's fans, but it also works as a surprisingly thoughtful complement to the piles of musician bios and memoirs.
