KooKooLand
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4.0 • 1 Rating
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- $13.99
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- $13.99
Publisher Description
Gloria Norris’s KooKooLand is a memoir written on the edge of a knife blade. Chilling, intensely moving, and darkly funny, it cuts to the heart and soul of a troubled American family, and announces the arrival of a startlingly original voice.
Gloria Norris grew up in the projects of Manchester, New Hampshire with her parents, her sister, Virginia, and her cat, Sylvester. A snapshot might show a happy, young family, but only a dummkopf would buy that.
Nine-year-old Gloria is gutsy and wisecracking. Her father, Jimmy, all dazzle and danger, is often on the far side of the law and makes his own rules—which everyone else better follow. Gloria’s mom, Shirley, tries not to rock the boat, Virginia unwisely defies Jimmy, and Gloria fashions herself into his sidekick—the son he never had.
Jimmy takes Gloria everywhere. Hunting, to the racetrack, to slasher movies, and to his parents’ dingy bar—a hole in the wall with pickled eggs and pickled alkies. But it is at Hank Piasecny’s gun shop that Gloria meets the person who will change her life. While Hank and Jimmy trade good-humored insults, Gloria comes under the spell of Hank’s college-age daughter, Susan. Brilliant, pretty, kind, and ambitious, Susan is everything Gloria longs to be—and can be, provided she dreams big and aces third grade like Susan tells her to.
But, one night, a brutal act changes the course of all their lives. The story that unfolds is a profound portrait of how violence echoes through a family, and through a community. From the tragedy, Gloria finds a way to carve out a future on her own terms and ends up just where she wants to be. Gripping and unforgettable, KooKooLand is a triumph.
PUBLISHERS WEEKLY
In this grim memoir, screenwriter Norris (The Moment) writes of growing up in the housing projects of Manchester, N.H., in the 1960s, and escaping to California to find success as a filmmaker. Norris's father, Jimmy, overwhelms her with awe and fear when she's a little girl, and disgust when she's an adult. But Jimmy is the story's star, and its arc is his evolution from a drunken, abusive criminal to a more egregiously drunken, abusive criminal. It's an awful tale, told dispassionately, of a man who claws his way through life dealing stolen TVs, drinking and drugging, berating those who cross him, and taking his daughter to shoot rats at the dump. Things get worse at particular points when a family friend butchers his estranged wife with a kitchen knife, when the daughter of that family murders her dad, and finally, when Jimmy almost kills the author's mother. He's never redeemed. The only way forward for the women in Jimmy's world is to flee. They head to Kookooland, Jimmy's name for California: the author moves there to retreat from her dad and write this story from a distance, both literal and metaphorical; Norris's mother visits in the last years of her life, after Jimmy dies; and the murdering daughter of the family friend has her ashes scattered in California. Unfortunately, because Norris takes herself out of the action, the memoir feels like little more than a rap sheet of her father's misbehavior.
