Lanny Lanny

Publisher Description

Longlisted for the Booker Prize 2019

From the award-winning author of Grief is the Thing with Feathers comes a dark, playful, propulsive novel about an ethereal young boy who attracts the attention of a mythical, menacing force.


There's a village an hour from London. It's no different from many others today: one pub, one church, red-brick cottages, some public housing, and a few larger houses dotted about. Voices rise up, as they might anywhere, speaking of loving and needing and working and dying and walking the dogs. This village belongs to the people who live in it, to the land, and to the land's past.
     It also belongs to Dead Papa Toothwort, a fabled figure local schoolchildren used to draw green and leafy, choked by tendrils growing out of his mouth, who awakens after a glorious nap. He is listening to this twenty-first-century village, to its symphony of talk: drunken confessions, gossip traded on the street corner, fretful conversations in living rooms. He is listening, intently, for a mischievous, enchanting boy whose parents have recently made the village their home. Lanny.
    With Lanny, Max Porter extends the potent and magical space he created in Grief Is the Thing with Feathers. This brilliant novel will enrapture readers with its anarchic energy, with its bewitching tapestry of fabulism and domestic drama. Lanny is a ringing defense of creativity, spirit, and the generative forces that often seem under assault in the contemporary world, and it solidifies Porter's reputation as one of the most daring and sensitive writers of his generation.

GENRE
Fiction & Literature
RELEASED
2019
May 14
LANGUAGE
EN
English
LENGTH
224
Pages
PUBLISHER
McClelland & Stewart
SELLER
Penguin Random House Canada
SIZE
10.5
MB

Customer Reviews

Tosui ,

An incredible, inventive, and unique voice

I’m not sure what to say except that this book is like no other, and left me wanting many more like it. But I’m not sure if that would be satisfying, to be honest. You can’t mimic this kind of storytelling. It’s more like a painting - truly one of a kind, despite similarities and familiar qualities - and you want to maintain its singularity. I’m just glad that I found it (thanks to David Mitchell praising it on Twitter) and can now reread it when the urge arises.

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