Let the Poets Govern
A Declaration of Freedom
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- Pre-Order
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- Expected Mar 3, 2026
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- $16.99
Publisher Description
In this part-memoir, part-manifesto, an acclaimed poet interprets Black radical literary traditions to reimagine freedom through refusal.
“In these fierce yet tender pages, Camonghne Felix reveals how imagination can become a form of governance—an instrument for creating a world rooted in care, community, and radical possibility.”—Michelle Alexander, New York Times bestselling author of The New Jim Crow
Over the past decade, Camonghne Felix has been at the center of American politics, working in strategy, communications, and as a speechwriter. Throughout it all, she has maintained her unwavering belief in language’s foundational revolutionary potential, outside of its deployment for legislative and political ends. In this groundbreaking work of nonfiction, she argues that Black radical poetic traditions model an ethical code and overcome entrenched structures of patriarchy and paternalism, inventing a new form that examines the historical and legislative, and the personal and poetic.
Felix draws on stories from her life in campaigns and the decisions she has had to make: preparing speeches for candidates, responding to harassment, recruiting staff. She recounts her moving personal history—accompanying her mother, a lawyer, to court, and her father, a participant in the Grenadian revolution of 1983, to protests—as well as her coming-of-age being schooled in a wider tradition of Black radical thinkers, from Gwendolyn Brooks to Audre Lorde.
Through rupture, rhythm, and a refusal of politics as usual, Let the Poets Govern encourages us to hold ourselves to the standards of our highest ideals and embraces our shared humanity.
PUBLISHERS WEEKLY
Poet and activist Felix (Dyscalculia) delivers an evocative mix of literary analysis and memoir exploring language's role in oppression and how it can be repurposed as a tool of liberation. "We cannot revise history," she argues, "but we can revise and redefine the language that governs history, the language that governs us." Starting with the poetry of childhood, Felix examines the roots of ostensibly innocuous children's rhymes, explaining that the American version of "Eenie Meenie Miney Mo" was once used to threaten enslaved people hoping to escape. She also takes issue with the Pledge of Allegiance, contending that it "obligates children into a performative demonstration of patriotism." Elsewhere, she unpacks her personal political journey, describing how, while working as a speechwriter for Democratic politicians including Andrew Cuomo and Elizabeth Warren, she began to feel she was betraying herself, using her poetic skills to perpetuate an oppressive political system. Inspired by Audre Lorde's essay "Poetry Is Not a Luxury," she came to realize that poetry is "a verb that requires the writer and the reader to do something" and turned to movement organizing for Palestine. Though the central thesis gets a bit lost, Felix offers affecting insight into contemporary political disaffection. This is a moving testament to the power of words.