Letter from America
1946-2004
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- 12,99 $
Description de l’éditeur
A defining collection from Alistair Cooke's legendary BBC Radio broadcasts, guiding us through nearly sixty years of changing life in the United States
'No one else succeeded in explaining to the English-speaking world ... the idiosyncrasies of a country at once so familiar, and yet so utterly foreign' Independent
When Alistair Cooke retired in February 2004 he was acclaimed as one of the greatest broadcasters of all time. His Letter from America radio series, which began in 1946 and continued every week for fifty-eight years until his retirement, kept the world in touch with what was happening in America. Cooke's wry, humane and liberal style both informed and entertained his audience. The selection here, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. It covers key moments from the assassination of Kennedy through to the Vietnam War and Watergate to 9/11, the Iraq War and anticipates the 2004 elections. It includes portraits of the great and the good from Charlie Chaplin to Martin Luther King, Jr, and topics as varied as civil rights, golf, jazz and the changing colours of a New England fall. Each Letter contributes to a captivating portrait of a nation - and of a man.
PUBLISHERS WEEKLY
Erudite, dry, calm, utterly confident. Such was the voice that millions of Americans were familiar with when Alistair Cooke (1908 2004) hosted PBS's Masterpiece Theatre. What those millions might not have known was that Cooke broadcast a weekly radio essay, Letter from America, on the BBC. These pieces showcased Cooke's hard-eyed impressions of the American scene, its players and victims, its edges and contours, its movers, shakers and fools. In this tightly edited collection of those essays, Cooke's voice is present throughout, his mid-Atlantic inflection indelibly stamped. A journalist by trade, an aristocrat by aspiration, Cooke lived and reported from New York, covering the U.S.'s rise to global superpower. Some of the early essays have a fish-out-of-water tone, and the writing is at times claustrophobic, hemmed in by language better suited to a London gentlemen's club than the rough and tumble of bursting-at-the-seams postwar New York. As the years pass, the writing becomes looser, more New World than Old. Cooke's politics turn more conservative; he idolizes Reagan and looks dimly at the unkempt Democrats. He frets about the future of America, never more so than in the wake of 9/11. Still, throughout, Cooke feeds on the unfettered optimism of his adopted country. Never glib, snide or contrived, Cooke captures the expanding soul of a nation and people. Photos.
