Literary Strains of Negritude and Consciencism in Joseph Brahim Seid: Envisioning Nation and a New Multicultural Chadian Identity. Literary Strains of Negritude and Consciencism in Joseph Brahim Seid: Envisioning Nation and a New Multicultural Chadian Identity.

Literary Strains of Negritude and Consciencism in Joseph Brahim Seid: Envisioning Nation and a New Multicultural Chadian Identity‪.‬

Tydskrif vir Letterkunde 2008, Spring, 45, 2

    • $5.99
    • $5.99

Publisher Description

Literary strains of negritude and consciencism in Joseph Brahim Seid: envisioning nation and a new multicultural Chadian identiy This study introduces Joseph Brahim Seid, one of Africa's intellectuals of the first generation of independence, in relation to the ideologisation of his contemporaneous counterparts, to Leopold Sedar Senghor's negritude and Kwame Nkrumah's consciencism. Two stories from J. B. Seid's 1962 collection, Au Tchad sous les Etoiles (translated as Told By Starlight in Chad, 2007) are read as envisioning nation and a new multicultural Chadian identity at the moment of independence. Unpacking literary strains of negritude and consciencism lays bare neglected and overlooked tensions that thwart reconciliation of the different segments of Chadian society: African/tradition-Arab/Islam-Western/Christianity. One story envisions modernisation in the reconciliation between Africa and the West, but in real life modernisaton does not occur within the context of African communalism as the story has it, but in the neo-colonial context, where it benefits the few, and mostly international stakeholders. Possibly with the intent of building nation, Seid tends to harmonize African-Arab cultures and traditional-Islamic religions, neglecting the tyranny of Islamisation and Arabisation in the past. In the present, as we know, rivalry between Arab and African populations in the Chad region has resurfaced. Superimposing Biblical motifs and understating traditional African beliefs and religious practices in a story that tends to reconcile Christianity, Islam and the traditional society, Seid overlooks the colonial context in which "civilising" Christianity is implicated, especially the distaste it engendered towards the traditional society and religions. Double-standards result from the higher prestige attaching to Islam, associated with literacy, and Christianity, associated with modernisation, thus African societies have yielded to the perceived progress imperative. While J. B. Seid's stories elevate the traditional societal value of communalism, portrayed with positive affect, in real life it has not transformed itself into a socialism sufficient to build nation and promote the multiculturalism envisioned and desired. Key words: negritude, consciencism, Joseph Brahim Seid, Chadian identity.

GENRE
Professional & Technical
RELEASED
2008
March 22
LANGUAGE
EN
English
LENGTH
25
Pages
PUBLISHER
Tydskrif vir Letterkunde
SELLER
The Gale Group, Inc., a Delaware corporation and an affiliate of Cengage Learning, Inc.
SIZE
226
KB
Facts, Fiction, and African Creative Imaginations Facts, Fiction, and African Creative Imaginations
2009
The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge
2020
African Literature and Social Change African Literature and Social Change
2017
Disciplines of African Philosophy Disciplines of African Philosophy
2018
Africanizing Knowledge Africanizing Knowledge
2017
Routledge Handbook of Minority Discourses in African Literature Routledge Handbook of Minority Discourses in African Literature
2020
Adichie's Purple Hibiscus and Issues of Ideology in the Constitution of the Nigerian Novel (Report) Adichie's Purple Hibiscus and Issues of Ideology in the Constitution of the Nigerian Novel (Report)
2011
Reconciling Arabo-Islamic Culture and Feminist Consciousness in North African Women's Writing: Silence and Voice in the Short Stories of Alifa Rifaat and Assia Djebar. Reconciling Arabo-Islamic Culture and Feminist Consciousness in North African Women's Writing: Silence and Voice in the Short Stories of Alifa Rifaat and Assia Djebar.
2008
30 Nagte in Amsterdam 30 Nagte in Amsterdam
2009
Flags Between Words As Poetical Centre Pins in Breyten Breytenbach's Two Volumes, Nege Landskappe van Ons Tye Bemaak Aan 'N Beminde and die Windvanger/ Vlae Tussen Woorde As Poetikale Spilpunte in Nege Landskappe van Ons Tye Bemaak Aan 'N Beminde en die Windvanger van Breyten Breytenbach (Report) Flags Between Words As Poetical Centre Pins in Breyten Breytenbach's Two Volumes, Nege Landskappe van Ons Tye Bemaak Aan 'N Beminde and die Windvanger/ Vlae Tussen Woorde As Poetikale Spilpunte in Nege Landskappe van Ons Tye Bemaak Aan 'N Beminde en die Windvanger van Breyten Breytenbach (Report)
2009
From the Point of View of an Outsider: The Role of Identity and Space in the Development of a Community Specific Youth Novella/Uit die Oogpunt van die Buitestander: Die Rol van Identiteit en Ruimte in die Skep van 'N Gemeenskapseie Jeugnovelle. From the Point of View of an Outsider: The Role of Identity and Space in the Development of a Community Specific Youth Novella/Uit die Oogpunt van die Buitestander: Die Rol van Identiteit en Ruimte in die Skep van 'N Gemeenskapseie Jeugnovelle.
2008
The Remembered Past in Elsa Joubert's Isobelle's Journey/"Ons Kan Maar Net Versin. En Aan Ons Versinsels Glo. Glo Wat Ander Aan Ons Versin": Die Herinnerde Verlede in Elsa Joubert Se die Reise van Isobelle. The Remembered Past in Elsa Joubert's Isobelle's Journey/"Ons Kan Maar Net Versin. En Aan Ons Versinsels Glo. Glo Wat Ander Aan Ons Versin": Die Herinnerde Verlede in Elsa Joubert Se die Reise van Isobelle.
2008