Load in Nine Times
Poems
-
- $32.99
-
- $32.99
Publisher Description
A stirring and historically substantive tribute to literal freedom fighters that provides inspiration and instruction for all who believe in liberation in illiberal times. —Cortney Lamar Charleston
Southern Review of Books • The Best Southern Books of October 2024
Winner of the 2025 PEN/Voelcker Award for a Poetry Collection
For decades Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers—including his own ancestors—who enlisted in the Union army in exchange for emancipation.
Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slave owners and prominent historical figures from Abraham Lincoln to Frederick Douglas and Margaret Garner. Imbued with atmospheric imagery, these persona poems and more “[clarify] not only the inextricable value of Black life and labor to the building of America, but the terrible price they were forced to pay in producing that labor” (Khadijah Queen). “How do you un-orphan a people?” Walker asks. “How do you pick up / shattered black porcelain and make / a new set of dishes fit to eat off?”
While carefully attuned to the heartbreak and horrors of war, Walker’s poems pay equal care to the pride, perseverance, and triumphs of their speakers. Evoking the formerly enslaved General Charles Young, Walker hums: “I am America’s promise, my mother’s song, / and the reason my father had every right to dream.” Expansive and intimate, Load in Nine Times is a resounding ode to the powerful ties of individual and cultural ancestry by an indelible voice in American poetry.
PUBLISHERS WEEKLY
Walker's excellent 12th collection (after Love House) captures the Black experience before and after emancipation in intimate and expansive poems. It opens with an 1841 newspaper clipping from Henderson County, N.C., announcing a $30 reward for a runaway slave. Walker experiments with forms and styles, from free verse to more structured compositions, masterfully blending personal narratives with broader historical themes. In a poem in the voice of Margaret Garner, a formerly enslaved woman who killed her infant daughter rather than allowing her to be forced into slavery, the speaker declares, "Don't call me Murderer./ Step back from all this./ Stop eyeballing me and the sharp sharp blade./ Take a closer look at the white men... I spared my baby girl not from this life/ but from my life." Throughout, Walker draws on the emotional and psychological dimensions of poetry to transform slavery from historical fact to lived experience. "Grove" centers on the observations of a Black soldier enlisting in the Civil War alongside other Black men, describing the line of waiting men as "a grove wanting to be a forest,/ ready to see what kind of wood we made from." These vivid and evocative poems underscore the struggles Black people have faced while offering beautifully crafted, illuminating reflections on those experiences.