Macbeth (Theater Review) Macbeth (Theater Review)

Macbeth (Theater Review‪)‬

Early Modern Literary Studies, 2010, Jan, 15, 1

    • $5.99
    • $5.99

Publisher Description

Macbeth, presented by the Royal Exchange Theatre Company at the Royal Exchange Theatre, Manchester, 6 March 2009. Directed by Matthew Dunster. Designed by Paul Wills. Lighting by Philip Gladwell. Sound by Ian Dickinson. Choreography by Aline David. Fight direction by Kevin McCurdy. Assistant direction by Ben Fowler. With Nicholas Gleaves (Macbeth), Hilary Maclean (Lady Macbeth), Rebecca Callard (Weird Sister and Lady Macduff), Niamh Quinn (Weird Sister and Nanny), Alexandra Kenyon (Weird Sister), Robert Gwilym (Duncan and Old Seyward), John MacMillan (Malcolm and Murderer), Matthew Randell (Donalbain, Young Seyward and Murderer), Jason Done (Macduff), Chinna Wodu (Angus), Heather Peace (Lennox), John Stahl (Ross), Christopher Colquhoun (Banquo and Scottish Doctor), Vincent Bernard (Fleance and Nurse), Leigh Symonds (Bloody Captain and Seyton) and Tom Glynn-Whitehead (Son of Macduff). Other parts were played by the Company.

GENRE
History
RELEASED
2010
January 1
LANGUAGE
EN
English
LENGTH
13
Pages
PUBLISHER
Matthew Steggle
SELLER
The Gale Group, Inc., a Delaware corporation and an affiliate of Cengage Learning, Inc.
SIZE
165.9
KB

More Books Like This

The Shakespeare Season, 2007 (Critical Essay) The Shakespeare Season, 2007 (Critical Essay)
2007
Great Moments in the Theatre Great Moments in the Theatre
2012
Arizona on Stage Arizona on Stage
2015
Behind the Footlights Behind the Footlights
2017
Theatrical and Circus Life: Secrets of the Stage, Green-Room and Sawdust Arena Theatrical and Circus Life: Secrets of the Stage, Green-Room and Sawdust Arena
2018
Innocent Flowers Innocent Flowers
2013

More Books by Early Modern Literary Studies

Where Iago Lies: Home, Honesty and the Turk in Othello (Critical Essay) Where Iago Lies: Home, Honesty and the Turk in Othello (Critical Essay)
2009
Poetic Statesmanship and the Politics of Patronage in the Early Tudor Court: Material Concerns of John Skelton's Early Career As a Critical Context for the Interpretation of the Bowge of Courte. Poetic Statesmanship and the Politics of Patronage in the Early Tudor Court: Material Concerns of John Skelton's Early Career As a Critical Context for the Interpretation of the Bowge of Courte.
2010
Witchcraft, Flight and the Early Modern English Stage. Witchcraft, Flight and the Early Modern English Stage.
2007
Love, Death and Resurrection in Tragicomedies by Seventeenth-Century English Women Dramatists. Love, Death and Resurrection in Tragicomedies by Seventeenth-Century English Women Dramatists.
2006
Poetic Statesmanship and the Politics of Patronage in the Early Tudor Court: Material Concerns of John Skelton's Early Career As a Critical Context for the Interpretation of the Bowge of Courte (Critical Essay) Poetic Statesmanship and the Politics of Patronage in the Early Tudor Court: Material Concerns of John Skelton's Early Career As a Critical Context for the Interpretation of the Bowge of Courte (Critical Essay)
2009
The Theatricality of Transformation: Cross-Dressing, Sexual Misdemeanourand Gender/Sexuality Spectra on the Elizabethan Stage, Bridewell Hospital Courtrecords, And the Repertories of the Court of the Aldermen, 1574-1607. The Theatricality of Transformation: Cross-Dressing, Sexual Misdemeanourand Gender/Sexuality Spectra on the Elizabethan Stage, Bridewell Hospital Courtrecords, And the Repertories of the Court of the Aldermen, 1574-1607.
2008