Mad, Bad, Dangerous to Know
The Fathers of Wilde, Yeats, and Joyce
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5.0 • 1 Rating
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Publisher Description
Award-winning author Colm Tóibín turns his incisive gaze to three of the world's greatest writers, Oscar Wilde, W.B. Yeats, and James Joyce, and their earliest influences: their fathers.
"A father... is a necessary evil." Stephen Dedalus in Ulysses
In Mad, Bad, Dangerous to Know, Colm Tóibín illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways they surface in their work. From Wilde's doctor father, a brilliant statistician and amateur archaeologist, who was taken to court by an obsessed lover in a strange premonition of what would happen to his son; to Yeats' father, an impoverished artist and brilliant letter-writer who could never finish a painting; to John Stanislaus Joyce, a singer, drinker, and storyteller, a man unwilling to provide for his large family, whom his son James memorialised in his writing, Mad, Bad, Dangerous to Know brilliantly combines biography and literary appreciation and is a revealing, personal new look at the lives of three major literary icons.
PUBLISHERS WEEKLY
Fans of early modern literature will enjoy this look by novelist T ib n (House of Names) at the fathers of three of Ireland's most acclaimed authors. He explores a milieu they shared the "small Dublin world" of the 19th century and the many connections among their three families. W.B. Yeats's grandparents and father knew Oscar Wilde's parents, and a younger Yeats "would later dine at the house of Oscar Wilde in London." His father "even met the young James Joyce on the street," finding him "very loquacious." Wilde's father, William, excelled as a physician, as well as an "antiquarian, topographer, folklore collector, and archaeologist." However, Yeats and Joyce's fathers, both named John, and respectively a painter and a musician, found little contemporaneous fortune. Despite the focus on fathers, the works of the sons pervade this book, and T ib n illuminates them with fresh readings. These include Yeats's poems and Wilde's prison letter De Profundis (which T ib n once spent several hours performing aloud from the cell where Wilde was locked up for "gross indecency"), but Joyce's fiction, filled with references to Yeatses, Wildes, and Joyce's own family, receives particularly close attention. Originally delivered as a series of lectures, this study balances dexterous narration and T ib n's scholarly familiarity with his subjects' place in Irish political and social history.)
