Mining in the Museum

Examining 150 years of mining and mineral technology exhibits at the Smithsonian

Buried deep underground or cut into remote landscapes, mines are often dirty, dark, and dangerous places, located far from the everyday urban spaces that most Americans call home. Yet mining is foundational to the making of the United States, supplying the raw materials that built its infrastructure, powered its industries, and shaped its scientific institutions, even as the work itself has remained physically removed, technically complex, and culturally overlooked. Mining in the Museum reveals how Americans have encountered this vital industry not at the distant mine face, but in museum galleries. Tracing more than 150 years of mining and mineral technology exhibits at the Smithsonian Institution in Washington, DC, Eric C. Nystrom shows how curators transformed ore, instruments, models, and machinery into stories about progress, innovation, and national development, and how those interpretive choices shaped what the nation remembers—and forgets—about mining.

Using mining collections as a lens into institutional change, Nystrom offers a new history of the Smithsonian and its United States National Museum, examining how curators, administrators, and policymakers debated what museums were for, which kinds of knowledge they should produce, and what objects deserved display. He follows the shifting fortunes of mineral and mining exhibits across world’s fairs, scientific surveys, and changing exhibition philosophies, showing how display strategies evolved alongside professional science and public education. As mining’s place in the national imagination changed, so too did its presence in the federal museum, moving from a central scientific and technological showcase to a subject increasingly preserved by regional and local institutions closer to mining communities themselves. Grounded in extensive archival research, Mining in the Museum illuminates the evolving relationship among technology, public history, and the politics of display, demonstrating how museums help define which industries, and which kinds of work, become part of the American story.