"A terrific read. Buddy Steel is my kind of Sheriff."—Tom Selleck
MISSING PERSONS is the first book in the new Buddy Steel mystery series by New York Times bestselling author, Michael Brandman. Even in a town called Freedom, justice has its price…
LAPD homicide detective Buddy Steel finds himself detoured from his own life when his ailing father, Sheriff Burton Steel, calls him home to Freedom to take over as deputy. Though relations between father and son have always been strained, and Buddy reluctantly agrees to the arrangement.
When he begins investigating the possible disappearance of a famous local televangelist's wife, he is met with outright antagonism. While the highly-secured husband insists that his wife is simply visiting a relative, the housekeeper who reported her missing fears she may have been murdered. And no one, from family members to ministry security and staff to the prosecutor's office seems inclined to help Buddy in his investigation. In fact, many go out of their way to stop him.
But the more he pokes and prods, the more he realizes that the Bible-thumping family and their television empire may be an elaborate cover for a less-than-holy enterprise. This is far more than a typical missing person case. But how far up does the corruption reach—and will Buddy pay the ultimate price for refusing to look the other way?
MISSING PERSONS is an emotionally propulsive thriller perfect for fans of Robert B. Parker, Sue Grafton, and Michael Connelly. Because there are dark secrets buried in this small town, and a missing person threatens to unearth them all—with deadly consequences.
LAPD homicide detective Burton "Buddy" Steel, the narrator of this highly readable if shallow series launch from Brandman (Robert B. Parker's Killing the Blues and two other Jesse Stone novels), moves back to the small town of Freedom, Calif., to work as a deputy sheriff after his sheriff father is diagnosed with ALS. Buddy's first case involves the town's celebrity, TV preacher Barry Long Jr., whose wife seems to be missing and whose money has also apparently vanished. Barry's sister, Maggie, who's "statuesque and leggy, narrow and lithe with proper curves in all the right places," plays the femme fatale role. Buddy faces the occasional bit of danger (he essentially shrugs off a shoulder shot from a hollow point fired from a .357 magnum), but a distinct lack of betrayals or even significant plot twists, and no examination of Buddy's strained relationship with his father, make this book too straightforward an exercise in contemporary noir.
Why do authors feel the need to use foul language?! Not necessary when you have a good/ interesting story to tell . Didn’t finish the novel because of the unnecessary language 🙁