Modern Chinese Literary and Cultural Studies in the Age of Theory Modern Chinese Literary and Cultural Studies in the Age of Theory
Asia-Pacific: Culture, Politics, and Society

Modern Chinese Literary and Cultural Studies in the Age of Theory

Reimagining a Field

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Description de l’éditeur

These groundbreaking essays use critical theory to reflect on issues pertaining to modern Chinese literature and culture and, in the process, transform the definition and conceptualization of the field of modern Chinese studies itself. The wide range of topics addressed by this international group of scholars includes twentieth-century literature produced in Taiwan, Hong Kong, and mainland China; film, art, history, popular culture, and literary and cultural criticism; as well as the geographies of migration and diaspora.

One of the volume’s provocative suggestions is that the old model of area studies—an offshoot of U.S. Cold War strategy that found its anchorage in higher education—is no longer feasible for the diverse and multifaceted experiences that are articulated under the rubric of “Chineseness.” As Rey Chow argues in her introduction, the notion of a monolithic Chineseness bound ultimately to mainland China is, in itself, highly problematic because it recognizes neither the material realities of ethnic minorities within China nor those of populations in places such as Tibet, Taiwan, and post–British Hong Kong. Above all, this book demonstrates that, as the terms of a chauvinistic sinocentrism become obsolete, the critical use of theory—particularly by younger China scholars whose enthusiasm for critical theory coincides with changes in China’s political economy in recent years—will enable the emergence of fresh connections and insights that may have been at odds with previous interpretive convention.
Originally published as a special issue of the journal boundary 2, this collection includes two new essays and an afterword by Paul Bové that places its arguments in the context of contemporary cultural politics. It will have far-reaching implications for the study of modern China and will be of interest to scholars of theory and culture in general.Contributors. Stanley K. Abe, Ien Ang, Chris Berry, Paul Bové, Sung-cheng Yvonne Chang, Rey Chow, Dorothy Ko, Charles Laughlin, Leung Ping-kwan, Kwai-cheung Lo, Christopher Lupke, David Der-wei Wang, Michelle Yeh

  • GENRE
    Histoire
    SORTIE
    2001
    4 janvier
    LANGUE
    EN
    Anglais
    LONGUEUR
    336
    Pages
    ÉDITEUR
    Duke University Press
    VENDEUR
    Duke University Press
    TAILLE
    1,6
     Mo
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    Chinese Culture Chinese Culture
    2020
    Space, Politics, and Cultural Representation in Modern China Space, Politics, and Cultural Representation in Modern China
    2016
    Cultural Nationalism in Contemporary China Cultural Nationalism in Contemporary China
    2004
    New Culture in a New World New Culture in a New World
    2004
    China in the World China in the World
    2022
    Not Like a Native Speaker Not Like a Native Speaker
    2014
    A Face Drawn in Sand A Face Drawn in Sand
    2021
    Sound Objects Sound Objects
    2018
    Entanglements, or Transmedial Thinking about Capture Entanglements, or Transmedial Thinking about Capture
    2012
    The Protestant Ethnic and the Spirit of Capitalism The Protestant Ethnic and the Spirit of Capitalism
    2002
    The Rey Chow Reader The Rey Chow Reader
    2010
    Mao Zedong and China in the Twentieth-Century World Mao Zedong and China in the Twentieth-Century World
    2010
    The Proletarian Gamble The Proletarian Gamble
    2009
    The Sublime Perversion of Capital The Sublime Perversion of Capital
    2016
    Bad Water Bad Water
    2014
    Chinese Reportage Chinese Reportage
    2002
    The Flash of Capital The Flash of Capital
    2002