Murphy's Law
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4.5 • 2 Ratings
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- $6.99
Publisher Description
From the New York Times bestselling author of Jude’s Law. “Lori Foster is a funny, steamy, guaranteed good read!”—Elizabeth Lowell
Anything that can go wrong . . .
Nothing is going to go wrong. Ashley Miles has worked too hard for her independence to let some Bentley-driving hunk named Quinton Murphy interfere with her plans—or her freedom. Yes, the chemistry is phenomenal. Kind of scary, actually. But that’s it. NO emotional commitments.
. . . will
But he’s SO wonderful—a woman could fall in love . . . How did that happen? That wasn’t part of the plan! But can she trust him? Really trust him? The man is just so mysterious. There’s only one solution: put it all on the line and see what Quinton does when she tells him how she feels. And hope everything that can go wrong . . . won’t . . .
Praise for Lori Foster
“Foster writes smart, sexy, engaging characters.”—Christine Feehan
“A Lori Foster book is like a glass of good champagne—sexy and sparkling!”—Jayne Ann Krentz
“Lori Foster writes about real people you’ll fall in love with.”—Stella Cameron
“When it comes to delivering sexy and sensual romance, author Lori Foster is in a class by herself.”—RT Book Reviews
PUBLISHERS WEEKLY
Lori Foster reintroduces benevolent, hunky millionaire Quinton Murphy and scrappy, virginal Ashley Miles in her unconvincing follow up to Jude's Law. Although Ashley is too busy for love trying to get ahead (she works two jobs while attending college), her sexual attraction to Quinton is so strong that they begin an affair. After thwarting the evil plans of the previous book's villain, a dangerous nutjob, Ashley's now atop his hit list, but fails to appreciate the danger she's in-or Quinton's concern for her safety. Inelegant foreshadowing that points out Ashley's resemblance to her best friend is just one of the book's clunky aspects; another is Ashley's unbelievably stubborn go-it-alone attitude, which not only grows wearisome, but calls her intelligence into question at several points as the story (and violence) progresses. And considering Foster's background in contemporary romance, toss-away phrases straight out of Regency England ("watering pot," "leg-shackled") strike odd notes. Still, the major issue is that Quinton must work too hard to prove his worthiness to Ashley, leaving readers to wonder why such a great hero would fall in love with such a prickly pain in the behind.
