My Friend The Mercenary
A Memoir
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4.7 • 7 Ratings
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- $11.99
Publisher Description
James Brabazon, a war reporter and filmmaker, was already a veteran of many conflict zones by his early thirties. So when he was offered an exclusive opportunity to report from Liberia, caught up in a vicious civil war, it proved too tempting to turn down. He needed to take a bodyguard, someone with strong knowledge of the region and, more importantly, someone with a gun slung over his shoulder. James hired Nick du Toit, a former South African soldier and mercenary commander, to guide him into the bloody world of Liberia’s rebels. During their time together, James and Nick slowly formed an unlikely friendship, forged during scorching days under unrelenting gunfire. Narrowly surviving the harrowing experience, James returned to the quieter, saner confines of his life in London. But only a few months later he found himself back with Nick in a fly-blown bar in West Africa plotting another, much more dangerous journey—this time to the heart of Equatorial Guinea. Nick’s mission: to overthrow the government of this tiny nation fabulously rich in oil.
My Friend the Mercenary is an exploration of the mercenary myth and a chapter in the story of modern Africa. It is a brutally honest and undeniably human account of a journey into the heart of what it takes to be a friend, a survivor and a journalist in the morally corrosive crucible of war.
PUBLISHERS WEEKLY
The fog of war, informational and moral, permeates this adrenalized memoir of Africa's dirty wars and the men who fight them. British documentarian Brabazon entered Liberia in 2002 to film rebel forces in that country's civil war, taking along bodyguard Nick du Toit, a mercenary and former soldier in South Africa's apartheid-era army. Worlds apart politically, the two men bond amid the savage conflict in one excruciating scene, Brabazon films rebels cannibalizing a prisoner as the author comes to depend on and admire his tough, courageous companion. Nick joins a byzantine conspiracy to overthrow the government of oil-rich Equatorial Guinea and invites Brabazon to film the prospective coup, a proposal that crosses the boundaries of journalistic ethics, though it strongly appeals to Brabazon's lust for adventure and cash. His postmortem on the plot's disastrous outcome, with its cast of shadowy financiers, rival intelligence agencies, and soldiers of fortune, reads like a political thriller. Brabazon's searing narrative captures both the allure of war the rush of danger, the deep camaraderie, the get-rich-quick mirages and its brutal realities. It's both a seductive paean to and a harsh expos of the mercenary ethos that fattens off of Africa's travails.
