Night Boat to Tangier
A novel
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3,9 • 17 notes
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- 14,99 $
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- 14,99 $
Description de l’éditeur
LONGLISTED FOR THE BOOKER PRIZE
From the acclaimed author of the international sensations City of Bohane and Beatlebone, a striking and gorgeous new novel of two aging criminals at the butt ends of their damage-filled careers. A superbly melancholic melody of a novel full of beautiful phrases and terrible men.
In the dark waiting room of the ferry terminal in the sketchy Spanish port of Algeciras, two fading Irish gangsters, Maurice Hearne and Charlie Redmond--longtime partners in the lucrative and dangerous enterprise of smuggling drugs--are waiting on the boat from Tangier, and none too patiently. It is October 23, 2018, and they are expecting Maurice's estranged daughter (or is she?), Dilly, to either arrive on a boat coming from Tangier or depart on one heading there. This nocturnal vigil will initiate an extraordinary journey back in time to excavate their shared history of violence, romance, mutual betrayals and serial exiles.
Mordant and hilarious, lyrical yet laden with menace, Night Boat to Tangier is a tragicomic masterpiece rendered with the dark humour and the hardboiled Hibernian lyricism that have made multi award-winning writer Kevin Barry one of the most striking and admired fiction writers at work today.
PUBLISHERS WEEKLY
A pair of Irish drug runners who've seen better days haunt a ferry terminal in southern Spain in search of a missing woman, in Barry's grim and crackling latest (after Beatlebone). Maurice Hearne and Charlie Redmond had a long and profitable run in drug smuggling, but now, with both just past 50, they are out of the business after a decline in their fortunes. The two stalk the ferry terminal in search of Maurice's daughter, Dilly, whom they haven't seen for three years but believe will be showing up on a ferry there, either coming from or going to Tangier. As the men wait and scan the crowds, they reminisce on better days and an unfortunately textbook betrayal, and flashbacks to pivotal moments in Maurice's adult life reveal a torturous history. Whether Dilly is actually Maurice's daughter is an animating question of the narrative, along with what the men's true intentions are. Barry is a writer of the first rate, and his prose is at turns lean and lyrical, but always precise. Though some scenes land as stiff and schematic, the characters' banter is wildly and inventively coarse, and something to behold. As far as bleak Irish fiction goes, this is black tar heroin.
