Pillow
-
- $11.99
-
- $11.99
Publisher Description
Most of the things Pillow really liked to do were obviously morally wrong. He wasn’t an idiot; clearly it was wrong to punch people in the face for money. But there had been an art to it, and it had been thrilling and thoughtful for him. The zoo was also evil, a jail for animals who’d committed no crimes, but he loved it. The way Pillow figured it, love wasn’t about goodness, it wasn’t about being right, loving the very best person, having the most ethical fun. Love was about being alone and making some decisions.
Pillow loves animals. Especially giraffes. That’s why he chooses the zoo for the drug drop-offs he does as a low-level enforcer for the mob. Which happens to be run by André Breton and the Surrealists, like Gwynn Apollinaire, Louise Aragon and Georges Bataille.
A gentle soul, Pillow doesn’t love his life of crime. But he isn’t cut
out for much else, what with all the punches to the head he took as a professional boxer. And now that he’s accidentally but sort of happily knocked up his neighbour, Emily, he wants to get out and go straight. So when an antique-coin heist goes awry, Pillow sees his chance to make one last big score. But it’s hard to outwit a Surrealist, especially when you can’t always think so clearly. He soon finds himself kneedeep in murder and morphine, kidnapping a pseudo-priest and doing some fancy footwork around a pair of corrupt cops.
With a dark wink of the teeth and a wet fish to the heart, Pillow is literary crime fiction that punches above its weight.
'Wildly effervescent. The dialogue, the pacing, the plot: it sizzles, it sparkles. Pillow is a hilarious, humane, fearsomely original novel by a young novelist – this Andrew Battershill; this wet-behind-the-ears rookie! - who writes with such skill and daring that you'd think this was his tenth book rather than his debut.'
–Craig Davidson, author of Rust and Bone and Cataract City
PUBLISHERS WEEKLY
Pillow, the unsuspecting hero of Battershill's unusual debut novel, is a former boxer with a love of animals and the zoo. He makes ends meet as a low-level thug in a criminal syndicate run by, of all people, Andr Breton, the founder of Surrealism. After Pillow's would-be girlfriend Emily reveals she's pregnant and an antique coin heist goes wrong, the enforcer conceives of a plan to find and flip the coins under Breton's nose one final score before getting free of the organization. But Breton is extremely clever, and his gang, consisting of luminaries such as Louis Aragon and Georges Bataille, aren't to be trifled with either. Pillow is no fool, but he is linear, putting him at a distinct disadvantage when confronted with surrealist thinking. He serves the audience surrogate, swimming through a sea of abstraction in an otherwise stolid genre. The dichotomy between Pillow and Breton is brought to the fore via Battershill's surefooted, diamond-sharp writing. The author's use of metaphor and imagery is exquisite; he plays with surrealism with such a light step so as to appear effortless as if it were an entirely common extension of hardboiled crime fiction. This debut is accomplished and highly entertaining.