Psycho Too
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- $24.99
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- $24.99
Publisher Description
Will Self and Ralph Steadman join forces once again in a further post-millennial meditation on the vexed relationship of psyche and place in a globalised world; Psycho Too brings together a second helping of their very best words and pictures from 'Psychogeography', the columns they contributed to the Independent for half a decade.
The introduction, 'Journey Through Britain' is a new extended essay by Self, accompanied by Steadman's inimitable images. It tells of how Self journeyed to Dubai, that Götterdammerung of the contemporary built environment, in order to walk the length of the artificial Britain-shaped island, in the offshore luxury housing development known as 'The World'.
Ranging from Istanbul to Los Angeles and from the crumbling coastline of East Yorkshire to the adamantine heads of Easter Island, Will Self's engaging and disturbing vision is once again perfectly counter-pointed by Ralph Steadman's edgy and dazzling artwork.
PUBLISHERS WEEKLY
The travel essays and fantasias in this raucous sequel to Psychogeography register the psychic impact of place while mapping out the author's idiosyncratic mental terrain. Novelist Self views his surroundings through the lens of his gripes, alternately dire and whimsical, with modernity, embodied by the "vertical desert" of Dubai's soulless skyscrapers. He's not overly fond of antiquity, either: during a visit to Jerusalem, the Wailing Wall and the Via Dolorosa strike him, respectively, as "a large pile of breeze blocks and a rather smelly alley." (Sometimes his surroundings fight back, as when he's attacked by seagulls in Scotland.) His ramblings sometimes wander into fictional riffs, like an imaginary trip to Bill Gates's house to discuss space-time and an account of "The Great Vomit Wave of '08," during which the world's insupportable debt is physically regurgitated. Self's scabrous, amphetamine prose revels in odd details and twisted associations; for him, every map is a Rorschach blot that brings national sexual perversions leaping to mind. (Steadman's evocative illustrations, which look as if Jackson Pollock had dripped on cartoons by Picasso, provide an appropriately demented visual commentary.) Self is far from a reliable tour guide, but his eye for seldom-trod byways and offbeat insights make him a diverting travel companion.
