A FINALIST FOR THE 2020 BOOKER PRIZE
A NEW YORK TIMES EDITORS' CHOICE
“A blistering coming of age story” —O: The Oprah Magazine
A novel of startling intimacy, violence, and mercy among friends in a Midwestern university town, from an electric new voice.
Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses while exposing long-hidden currents of hostility and desire within their community.
Real Life is a novel of profound and lacerating power, a story that asks if it’s ever really possible to overcome our private wounds, and at what cost.
APPLE BOOKS REVIEW
Brandon Taylor’s powerful, emotional debut is set at a prestigious Midwestern university where Wallace, a queer black graduate student with a secret history, tries uneasily to fit in with his white peers. But over the course of one summer weekend, several incidents—from suspected academic sabotage to a burgeoning romance with a volatile friend—force Wallace to question whether it’s even possible to escape his troubled upbringing. Taylor’s tense plot gets into timely issues of race, trauma, and the hypocrisies of higher education, making Real Life a crucial addition to the contemporary campus novel.
Taylor's intense, introspective debut tackles the complicated desires of a painfully introverted gay black graduate student over the course of a tumultuous weekend. Wallace, a biochemistry student from Alabama at an unnamed contemporary Midwestern university, discovers his experiment involving breeding nematodes ruined by contaminating mold. Though distraught and facing tedious work, he reluctantly meets up with friends from his program to celebrate the last weekend of summer. He discloses to them the recent death of his estranged father, who did not protect him from sexual abuse by a family friend as a child. Wallace is perpetually ill at ease with his white friends and labmates, especially surly Miller, who unexpectedly admits a sexual interest in Wallace. Over the following two days, Wallace and Miller awkwardly begin a secret, volatile sexual relationship with troubling violence between them at its margins. As Wallace begins to doubt his future as an academic and continues to have fraught social interactions, he reveals more about his heartbreaking past to Miller, building toward an unsettling, unresolved conclusion between the two men. Wallace's inconsistent emotional states when he's in Miller's company can be jarring; the novel is at its best and most powerful when Wallace is alone and readers witness his interior solitude in the face of the racism and loneliness he endures. Taylor's perceptive, challenging exploration of the many kinds of emotional costs will resonate with readers looking for complex characters and rich prose.