Serenade
A Balanchine Story
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- $14.99
Publisher Description
Toni Bentley, a dancer for George Balanchine, the greatest ballet maker of the 20th century, tells the story of Serenade, his iconic masterpiece, and what it was like to dance—and live—in his world at New York City Ballet during its legendary era.
"Reading Bentley's Serenade made me feel as alive as I felt on the stage the moment that I fell in love with ballet…. [A] delicate balance of personal memoir, rarefied elegance, history of the arts and pure human interest.”—Misty Copeland, New York Times Book Review
"[A] unique document about one of the greatest ballets ever created…. A beautiful read”—Mikhail Baryshnikov
At age seventeen, Toni Bentley was chosen by Balanchine, then in his final years, to join the New York City Ballet. From both backstage and onstage, she carries us through the serendipitous history and physical intricacies and demands of Serenade: its dazzling opening, with seventeen women in a double-diamond pattern; its radical, even jazzy, use of the highly refined language that is ballet; its place in the choreographer’s own dramatic story of his immigration to the United States from Soviet Russia; its mystical—and literal—embodiment of the tradition of classical ballet in just thirty-three minutes.
Bentley takes us inside the rarefied, intense, and thrilling world Balanchine created through his lifelong devotion to celebrating and expanding female beauty and strength—a world that, inevitably, passed upon his death. An intimate elegy to grace and loss and to the imprint of a towering artist and his transcendent creation on Bentley’s own life, Serenade: A Balanchine Story is a rich narrative by a dynamic artist about the nature of art itself at its most ephemeral and glorious.
PUBLISHERS WEEKLY
Former dancer Bentley (Winter Season) revisits "the man and the ballet that are the story of my life" in this touching and eloquent tribute to choreographer George Balanchine (1904–1983). The author was 17 when she was chosen by Balanchine in the late '70s to perform with the New York City Ballet. In 10 years she danced his 1934 masterpiece, Serenade, more than 50 times—knowing it, she writes, "as a part of my own body." Using the dance's various movements and scenes as an underpinning for the narrative, she tells Balanchine's story, and her own, as one of many who were entranced by the choreographer's "no-nonsense Sufi master soul." In lithe prose, she dissects the artistry behind Serenade—brushing past its "pale blue tulle" to meditate on its symbolism and wavelike motion—then glissades to thoughtful reflections on Balanchine's fairy tale–like early life in St. Petersburg, Russia, where he went from dancing at the tsar's Imperial Ballet School to "all-but-orphaned starvation" to studying music at St. Petersburg's famed observatory. Alongside this runs a rich elegy to Bentley's dancing career, which ended when she was 25 due to sustained injuries. Her command of ballet and its history is breathtaking, and her reverence for Balanchine's genius is consistently moving. This behind-the-scenes tour of a rarefied world will enchant ballet lovers.