Sunset Park
A Novel
-
-
5.0 • 1 Rating
-
-
- $12.99
-
- $12.99
Publisher Description
From the bestselling author of 4 3 2 1 and The New York Trilogy comes Paul Auster's luminous, tour de force
novel set during the 2008 economic collapse.
"Auster fans and newcomers will find in Sunset Park his usual beautifully nuanced prose.... [and] a tremendous crash bang of an ending.” — NPR
Sunset Park opens with twenty-eight-year-old Miles Heller trashing out foreclosed houses in Florida, the latest stop in his flight across the country. When Miles falls in love with Pilar Sanchez, he finds himself fleeing once again, going back to New York, where his family still lives, and into an abandoned house of young squatters in Sunset Park, Brooklyn.
Woven together from various points of view—that of Miles's father, an independent book publisher trying to stay afloat, Miles's mother, a celebrated actress preparing her return to the New York stage, and the various men and women who live in the house—"Auster seems to carry all of humanity inside him" (The Boston Globe).
PUBLISHERS WEEKLY
Auster (Invisible) is in excellent form for this foray into the tarnished, conflicted soul of Brooklyn. New York native Miles Heller now cleans out foreclosed south Florida homes, but after falling in love with an underage girl and stirring the wrath of her older sister, he flees to Brooklyn and shacks up with a group of artists squatting in the borough's Sunset Park neighborhood. As Miles arrives at the squat, the narrative broadens to take in the lives of Miles's roommates among them Bing, "the champion of discontent," and Alice, a starving writer and the unlikely paths that lead them to their squat. Then there's the matter of Miles's estranged father, Morris, who, in trying to save both his marriage and the independent publishing outfit he runs, may find the opportunity to patch things up with Miles. The fractured narrative takes in an impressive swath of life and history Vietnam, baseball trivia, the WWII coming-home film The Best Years of Our Lives and even if a couple of the perspectives feel weak, Auster's newest is a gratifying departure from the postmodern trickery he's known for, one full of crisp turns of phrase and keen insights.
