Sweetness in the Belly
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4.3 • 15 Ratings
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- $14.99
Publisher Description
NOW A MAJOR MOTION PICTURE
WINNER OF THE TRILLIUM AWARD • FINALIST FOR THE GILLER PRIZE
Set in Emperor Haile Selassie’s Ethiopia and the racially charged world of Thatcher’s London, Sweetness in the Belly is a richly detailed portrayal of one woman’s search for love and belonging. Lilly, born to British parents, eventually finds herself living as a devout, young, white Muslim woman in the ancient walled city of Harar in the years leading up to the deposition of the emperor. She is drawn to an idealistic young doctor, Aziz, but their love has only just begun to fulfil its promise when the convulsions of a new order wrench them apart, sending Lilly to an England she has never seen, and Aziz into the darkness of a radical revolution. Camilla Gibb brings to life characters facing extraordinary hardship and loss with the unblinking honesty and emotional generosity that have made her one of Canada’s most exciting literary talents.
PUBLISHERS WEEKLY
With sure-handed, urgent prose, Gibb (The Petty Details of So-and-So's Life) chronicles the remarkable spiritual and geographical journey of a white British Muslim woman who struggles with cultural contradictions to find community and love. Lilly Abdal, orphaned at age eight after the murder of her hippie British parents, grows up at an Islamic shrine in Morocco. The narrative alternates between Harar, Ethiopia, in the 1970s, where she moved in pilgrimage at age 16, and London, England, in the '80s, where she lives in exile from Africa, working as a nurse. Ignoring the cries of "farenji," or foreigner, she starts a religious Muslim school in Harar. Later, in London, along with her friend Amina, Lilly runs a community association for family reunification of Ethiopian refugees. Each month, she reads the list of people who've escaped famine and the brutal Dergue regime, hoping to find Dr. Aziz Abdulnasser, her half-Sudanese lover who chose Africa over their relationship. Despite some predictability of plot, the novel fluently speaks the "languages of religion and exile," depicting both the multifaceted heartbreak of those lucky enough to escape violent regime changes and the beauty of unlikely bonds created by the modern multicultural world.
