The Art of a Lie
A Novel
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4.3 • 3 Ratings
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- $17.99
Publisher Description
“Astonishing. The Art of a Lie is Laura Shepherd-Robinson at the height of her considerable powers. Of course it’s beautifully written and richly detailed, but it’s also fiendishly twisting and properly thrilling. A rare and wonderful story.” —Chris Whitaker, New York Times bestselling author
In 18th-century England, a widowed confectioner is drawn into a web of love, betrayal, intrigue, and a battle of wits in this “twisty” (Ruth Ware, New York Times bestselling author) historical novel from the author of the USA TODAY bestseller The Square of Sevens.
London 1749: Following the murder of her husband in a violent street robbery, Hannah Cole is struggling to turn a profit at her confectionary shop on Piccadilly as her suppliers conspire to put her out of business.
So when she learns that her husband had a large sum of money in his bank account, the surprise is, at first, extremely welcome. But her financial windfall attracts the attention of author-turned-magistrate Henry Fielding, who believes the money might have been acquired through ill-gotten means and seeks to confiscate it.
Endeavoring to prove otherwise, Hannah enlists the help of William Devereux, a friend of her late husband, who also tells her about a new Italian delicacy called “iced cream,” which she believes might transform the fortunes of her shop. As she and Devereux delve into the mysteries of her husband’s double life in Georgian London’s gambling dens, Hannah unravels secrets even more devastating than his murder.
PUBLISHERS WEEKLY
Shepherd-Robinson's bewitching latest historical (after The Square of Sevens) artfully folds real-life figures into its plot. In 1749 London, confectioner Hannah Cole flouts convention by running her shop, Punchbowl and Pineapple, instead of continuing to mourn her murdered husband, Jonas. With her inheritance delayed due to bizarre discrepancies in Jonas's accounting, she must earn a living somehow. None other than famed novelist and magistrate Henry Fielding is investigating Jonas's murder, and upon learning that the dead man was an unsavory rogue and a cruel husband, he starts to suspect that Hannah killed him. Hannah's only ally is the new-to-town William Devereaux, who vows to help her and gives her the exotic idea to serve an Italian delicacy called ice cream. While Hannah tests recipes and delights patrons in Piccadilly with this new treat, William negotiates with Fielding on her behalf. Gradually, though, Hannah begins to question William's motives. Shepherd-Robinson's prose is superb, bursting with poetic description and immersive period detail, and she sustains suspense without resorting to cheap tricks. Readers will race through this.