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Publisher Description

Sixteen-year-old Sloane is given the biggest opportunity of her life—a chance for a film school scholarship—but she only has less than two weeks to produce a video. She also has to work with Isaac Alexander, an irresponsible charmer with whom she shares an uneasy history.
Then comes a horrifying discovery: Sloane finds a bald spot on her head. The pink patch, no bigger than a quarter, shouldn’t be there. Neither should the bald spots that follow. Horror gives way to devastation when Sloane is diagnosed with alopecia areata. The autoimmune disease has no cause, no cure and no definitive outcome. The spots might grow over tomorrow or they might be there for life. She could become completely bald. No one knows.

Determined to produce her video and keep her condition secret, Sloane finds herself turning into the kind of person she has always mocked: someone obsessed with their looks. She’s also forced to confront a painful truth: she is as judgmental as anyone else … but she saves the harshest judgments for herself.

GENRE
Young Adult
RELEASED
2014
September 9
LANGUAGE
EN
English
LENGTH
304
Pages
PUBLISHER
PRH Canada Young Readers
SELLER
Penguin Random House Canada
SIZE
727.1
KB

Customer Reviews

Adriyanna Z. ,

Exceptional!

I was immediately drawn into The Art of Getting Stared At by Laura Langston. The plot and character development are superb! I’m a huge fantasy/sci-fi reader, so on the rare occasion I do read contemporary it has to really stand out. I usually love contemporary reads selected for the Forest of Reading awards and I’m glad Langston’s novel lives up to that reputation. There’s a lot of conflict thrown Sloane’s way and her growth as an individual is outstanding.

Character development is huge in this novel and Langston makes sure to include various literary conflict. The protagonist, Sloane Kendrick is a very relatable character because she presents herself as a confident person while deep down inside battling with how people see her. She also battles with the idea of being pretty versus being smart. For years, she’s believed you can only be either or and lives with the decision of ‘smart’. Sloane’s mother believes you should be true with oneself while Sloane’s stepmother, Kim thinks Sloane should value looks. This leads to a lot of issues between the two, and Sloane has felt for the longest time Kim is trying to fix her. Sloane’s image of Kim is someone without substance, she only cares about being pretty and wearing make-up. The more I read, the more Sloane started to realize maybe there’s more to Kim than her pre-conceived image, and more importantly maybe Sloane can be pretty and smart. When I first started reading Kim’s portrayal as a vain individual, I was really hoping for character development like this. In my opinion, you can’t send an image like this to a reader and not further examine it. Langston is a genius at creating situations where the reader learns more about her characters, and where her characters learn more about each other.

Sloane is a huge film nerd and I found that aspect of her personality very believable. I love when Langston introduces these little details, like Sloane observing a scene and thinking it’d make a great film shot. I don’t know much about film or have a lot of interest in it, but I do love art and photography so I’m always thinking about how that scene would make a great photo, or I wish I had a camera because that lighting is perfect, etc. In the novel, Sloane is diagnosed with alopecia areata, a disease where the immune system attacks the hair follicles, causing hair loss and I found this combined with her passion for film a very compelling element. While Sloane prefers producing film versus starring in it, she still has to engage with multiple people. All of a sudden Sloane is struggling with being seen and how she’s seen.

Before the novel started, a film Sloane produced for a film class was uploaded onto Youtube and gained 600,000 views in under 24 hours. This catches the eye of Sloane’s top film school and she’s encouraged to apply for a scholarship. She has less than three weeks to create a second film and needs to work with Isaac Alexander, someone she doesn’t have the greatest relationship with. Both get to know each other and realize there’s more to the other person than previously thought. I did expect romance between the two, but it’s like that slow burn romance where both don’t realize they like each other until closer to the end. Isaac is more openly flirtatious and while Sloane gives off false confidence when he says things like “you’re beautiful”, inside she wonders how can anyone like her in that way. This conflict of Sloane versus self is huge here.

As Sloane is coming to terms with her disease, the support system she wants most, her mother is away volunteering in Sudan [doctor]. Trying to hold in her frustration with Kim generates a lot of emotion. Every time this secret, that Sloane is losing her hair, is made known to another person and another, I felt her anxiety and fear. When a book creates such a great emotional response in the reader that makes a contemporary read so impressive to me. I was totally and completely in Sloane’s head and even though I know this isn’t real, I was upset for Sloane and felt her uncertainty of what the future holds.

Langston is truly an exceptional writer and reading this book was like watching a film, the emotions of her characters is so well-done. I recommend this to both the contemporary and non-contemporary reader. The Art of Getting Stared At lives up to the reputation of the Forest of Reading program and most importantly, encourages me to continue participating in these programs [White Pine selection]. Langston ends her book with a lasting impression on the reader.

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