The Best American Short Stories 2011
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3.8 • 6 Ratings
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- $21.99
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- $21.99
Publisher Description
Twenty of the best American short stories of 2011, chosen by the New York Times bestselling author of The Secret Chord.
The twenty tightly crafted stories collected here by Pulitzer Prize–winning author Geraldine Brooks are full of deftly drawn characters, universal truths, and often surprising humor. Richard Powers’s “To the Measures Fall” is a comic meditation on the uses of literature in the course of a life. In the satirical “The Sleep,” Caitlin Horrocks puts her fictional prairie town to bed—the inhabitants hibernate through the long winter as a form of escape—while in Steve Millhauser’s imagined town, the citizens are visited by ghostlike apparitions in “Phantoms.” Allegra Goodman’s spare but beautiful “La Vita Nuova” finds a jilted fiancée letting her art class paint all over her wedding dress as a poignant act of release. Chimamanda Ngozi Adichie wryly captures the social change in the air in Lagos, Nigeria, in “Ceiling,” her story of a wealthy young man who is not entirely at ease with what his life has become.
As Brooks perused these richly imagined and varied landscapes, she found that it was like walking into the best kind of party, where you can hole up in a corner with old friends for a while, then launch out among interesting strangers.
The Best American Short Stories 2011 also includes contributions from:
Megan Mayhew Bergman · Tom Bissell • Jennifer Egan • Nathan Englander • Ehud Havazelet • Bret Anthony Johnston • Claire Keegan • Sam Lipsyte • Rebecca Makkai • Elizabeth McCracken • Ricardo Nuila • Joyce Carol Oates • Jess Row • George Saunders • Mark Slouka
PUBLISHERS WEEKLY
Children and their parents feature prominently, if predictably, in this year's collection, which includes stories by three Pulitzer Prize-winners. Some of the stronger pieces such as Sam Lipsyte's "The Dungeon Master," about an endearing young cast of misfit fantasy-game players, and Ricardo Nuila's "Dog Bites," in which a pedantic but loving father helps his son navigate the perils of Little League and life without Mom tackle the difficulties of adolescence with fresh humor and vigor. Though most of the stories stick to a neutral third-person perspective, or feature an older first-person narrator reflecting on youth, one notable exception is Richard Powers' excellent "To the Measures Fall," which is written in the second-person and poses piercing questions to the reader as the story follows the main character from her young adulthood to death. In Joyce Carol Oates's bleak and heartfelt "ID," a 13-year-old girl must identify her dead mother at the morgue. In George Saunders' "Escape from Spiderhead," inmates at a futuristic prison enact hilarious, disturbing tests upon one another. Though many of the names here are familiar, this powerful new work re-establishes these authors' command of the form.
