The Body in the Casket
A Faith Fairchild Mystery
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- $9.99
Publisher Description
The inimitable Faith Fairchild returns in a chilling New England whodunit, inspired by the best Agatha Christie mysteries and with hints of the timeless board game Clue.
For most of her adult life, resourceful caterer Faith Fairchild has called the sleepy Massachusetts village of Aleford home. While the native New Yorker has come to know the region well, she isn’t familiar with Havencrest, a privileged enclave, until the owner of Rowan House, a secluded sprawling Arts and Crafts mansion, calls her about catering a weekend house party.
Producer/director of a string of hit musicals, Max Dane—a Broadway legend—is throwing a lavish party to celebrate his seventieth birthday. At the house as they discuss the event, Faith’s client makes a startling confession. "I didn’t hire you for your cooking skills, fine as they may be, but for your sleuthing ability. You see, one of the guests wants to kill me."
Faith’s only clue is an ominous birthday gift the man received the week before—an empty casket sent anonymously containing a twenty-year-old Playbill from Max’s last, and only failed, production—Heaven or Hell. Consequently, Max has drawn his guest list for the party from the cast and crew. As the guests begin to arrive one by one, and an ice storm brews overhead, Faith must keep one eye on the menu and the other on her host to prevent his birthday bash from becoming his final curtain call.
Full of delectable recipes, brooding atmosphere, and Faith’s signature biting wit, The Body in the Casket is a delightful thriller that echoes the beloved mysteries of Agatha Christie and classic films such as Murder by Death and Deathtrap.
PUBLISHERS WEEKLY
Agatha-winner Page's 24th Faith Fairchild mystery (after 2016's Body in the Wardrobe) is a cracking good traditional manor house mystery. Faith isn't enthusiastic about leaving her family for three days to cater the birthday celebration of legendary Broadway impresario Maxwell Dane at least not until Max offers to pay her more than she has ever earned for a single event. But Max wants Faith for her sleuthing ability as much as for her catering skills. Someone recently had a coffin delivered to Rowan House, Max's mansion in Havencrest, Mass., and he suspects the grim warning came from one of the people who had roles in his last and most ignominious Broadway production, a spectacular flop entitled Heaven or Hell. Who wants Max dead? Is it the director Max fired, the embittered set designer, the slighted actress who should have had the lead, or one of the other artists whose careers were never the same again? Realistic characters and a pair of intriguing side stories contribute to a satisfying read.