The Bomber
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5.0 • 1 Rating
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- $13.99
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- $13.99
Publisher Description
Stockholm is bustling with preparations for the upcoming summer Olympics when a bomb explodes in the city's new Olympic arena. One of the most powerful women in Sweden, Christina Furhage, is blown to bits. The police begin a wild and desperate chase for the killer, while crime reporter and mother of two, Annika Bengtzon, discovers connections no one else sees. Thus begins the first stand-alone crime novel by Liza Marklund, which follows the impulsive and passionate reporter Annika Bengtzon on her thrilling assignments.
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The problem with a lot of thrillers is that the main characters seem to exist in a world in which thriller novels don't exist, so suspicious actions that send off loud alarm bells in the average reader's mind are invariably rationalized or ignored by the protagonists. So it is in this by-the-numbers tale, in which Annika Bengtzon, crime editor for the Stockholm tabloid Kv llspressen, investigates the bombing of the Olympic venue at Victoria Stadium, where the body of Christina Furhage, head of the committee organizing the Stockholm Games, has been literally blown to bits. Balancing the demands of her family and those of her job, pumping her police contact for information and trying to decide how much of it to publish while barely holding her own in the petty squabbles that flare up daily in the newsroom, Annika digs into Christina's past to find death threats, a hidden marriage and the underhanded way in which she got her job. And when a second bomb goes off, you can bet that Annika will be targeted by the killer, whom readers will have no problem recognizing. The translation by Kajsa von Hofsten is smooth and precise, and while there's an interesting examination of what women like Christina and Annika go through in a world run by men, it's undercut by backlash if the female characters aren't neglecting their families or snapping at their children, they're insane. And while Marklund draws an accurate picture of the pressures and responsibilities of a reporter's job and life, except for the Stockholm setting and a series of unattributed first-person essays whose provenance is deliberately misleading, there's little that makes this Swedish bestseller special.