The Book of Dahlia
A Novel
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5.0 • 1 Rating
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- $16.99
Publisher Description
From the author of the critically acclaimed story collection How This Night Is Different comes a dark, arresting, fearlessly funny story of one young woman's terminal illness. In The Book of Dahlia, Elisa Albert walks a dazzling line between gravitas and irreverence, mining an exhilarating blend of skepticism and curiosity, compassion and candor, high and low culture.
Meet Dahlia Finger: twenty-nine, depressed, whip-smart, occasionally affable, bracingly honest, resolutely single, and perennially unemployed. She spends her days stoned in front of the TV, watching the same movies repeatedly, like "a form of prayer." But Dahlia's so-called life is upended by an aggressive, inoperable brain tumor.
Stunned and uncomprehending, Dahlia must work toward reluctant emotional reckoning with the aid of a questionable self-help guide. She obsessively revisits the myriad heartbreaks, disappointments, rages, and regrets that comprise the story of her life -- from her parents' haphazard Israeli courtship to her kibbutz conception; from the role of beloved daughter and little sister to that of abandoned, suicidal adolescent; from an affluent childhood in Los Angeles to an aimless existence in the gentrified wilds of Brooklyn; from a girl with "options" to a girl with none -- convinced that cancer struck because she herself is somehow at fault.
With her take-no-prisoners perspective, her depressive humor, and her extreme vulnerability, Dahlia Finger is an unforgettable anti-heroine. This staggering portrait of one young woman's life and death confirms Elisa Albert as a "witty, incisive" (Variety) and even "wonder-inducing" writer (Time Out New York).
PUBLISHERS WEEKLY
When Dahlia Finger a 29-year-old, pot-smoking, chronically underachieving Jewish-American princess learns that she has brain cancer, the results are hilarious and heartbreaking in Albert's superb first novel (following the story collection How This Night Is Different). Opening in the Venice, Calif., cottage to which Dahlia has retreated, at her father's expense, after unsuccessfully trying to forge a life in New York, chapter one begins with the omniscient narrator's scathingly Edith Wharton worthy catalogue of Dahlia's symptoms and ends with her first grand mal seizure. As Dahlia endures blistering radiation, sits numbly through her support group, smokes medical marijuana (with her crisis-reunited divorced parents) and carries a condescending book called It's Up to You: Your Cancer To-Do List, Albert masterfully interweaves Dahlia's battle with flashbacks, most tellingly involving her complexly overbearing Israeli mother, Margalit ("who unceremoniously imploded the family decades earlier"), and contemptuous older brother, against whom Dahlia has never learned to defend herself. Throughout, Albert delivers Dahlia's laissez-faire attitude toward other people (men especially) and lack of ambition with such exactness as to strip them of clich and make them grimly vivid. Her brilliant style makes the novel's central question should we mourn a wasted life? shockingly poignant as Dahlia hurtles toward death.
