The Boy from Kyiv
Alexei Ratmansky's Life in Ballet
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- $17.99
Publisher Description
Named a Best Book of the Year by NPR and The New Yorker
The Boy from Kyiv is the life story of Alexei Ratmansky, the most celebrated ballet choreographer of our time.
“A revelatory book about how [Ratmansky] evolved into the internationally sought-after choreographer of the moment . . . A must-read.” — Martha Anne Toll, NPR
Alexei Ratmansky is transforming ballet for the twenty-first century. An artist of daring imagination, the choreographer has created breathtakingly original works for the world’s most revered companies. He has fashioned a singular approach to balletic storytelling that bridges the space between narrative and abstraction and heightens ambiguity and surprise on the stage. He has boldly restored great centuries-old ballets to their former glory, combining archival research with his own choreographic genius to retrieve detail and color once lost to the ages. And above all, he is renowned for fusing the Western and Eastern ballet traditions, and for drawing on the visual arts, literature, music, film, and beyond with inspired vim, to forge a style that is vibrant, eclectic, and utterly new: one that promises to leave an indelible mark on this venerable art form.
But before Ratmansky was the artistic director of the Bolshoi Ballet, the resident choreographer at American Ballet Theatre, the artist in residence at New York City Ballet, and generally, as The New Yorker has it, “the most sought-after man in ballet,” he was just a boy from Kyiv, sneaking into the ballet at night, concocting his own juvenile adaptations of novels and stories, and dreaming up new possibilities for bodies in motion.
In The Boy from Kyiv, the first biography of this groundbreaking artist, the celebrated dance writer Marina Harss takes us behind the curtain to reveal Ratmansky’s fascinating life, from his Soviet boyhood through his globe-spanning career. Over a decade in the making, this biography arrives at a pivotal moment in Ratmansky’s journey, one that has seen him painfully and publicly break ties with Russia, the country in which he made his name, in solidarity with his native Ukraine, and take on a new challenge at the storied New York City Ballet. Told with the lyricism, drama, and verve that befit its subject, The Boy from Kyiv is a riveting account of this major artist’s ascent to the peaks of his field, a mesmerizing study of creativity in action, and a triumphant testament to ballet’s enduring vitality.
PUBLISHERS WEEKLY
Dance critic Harss traces the life of dancer-turned-choreographer Alexei Ratmansky in her impressively detailed debut. An explosive mix of talent, ambition, and "utter devotion" to ballet propelled Ratmansky from a humble childhood in Kyiv to rigorous training at the Bolshoi Ballet School in Russia and international tours as a principal dancer in different companies. He found his calling as a choreographer in 2003 when he developed a ballet for the Bolshoi Ballet company that became a "surprise success" and thereafter devoted himself to "making ballets with as much artistic freedom as possible" and developing a style characterized by clean lines, playfulness, and movement "that is neither pure nor fully story driven." According to Harss, Ratmansky's ballets express "ideas and images and feelings, but it would be almost impossible" to capture the precise narrative. While Ratmansky's productions have never explicitly centered politics, his heritage reveals itself more subtly in his work: for example, he created Songs of Bukovina, based on Ukrainian folk material, in 2017, when the country was fighting Russian interference. While the author's admiration for her subject sometimes devolves into flattery (ballet is the "language in which he feels more conversant... the air he breathes"), it's a pleasure to follow Ratmansky's career, which is brought to life by Harss's deep research. Dance aficionados will delight in this vibrant portrait.