The Boys
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- $12.99
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- $12.99
Publisher Description
The once-bucolic Catalonian village of Vidreres has been ravaged by a harsh recession, and now two of its young men have died in a horrible car crash. As the town attends the funeral, a banker named Ernest heads to the tree where they died, trying to make sense of the tragedy. There he meets a brutish trucker, who in between Internet hookups and trips to prostitutes has taken a liking to Iona, the fiancée of one of the dead boys. Iona might be just what he needs to fix his tawdry life, but she’s mixed up with an artist who makes frightening projects. Masterfully conjuring the voices of each of these four characters, Toni Sala entwines their lives and their feelings of guilt, fear, and rage over an unspeakable loss.
Long known as one of Spain’s most powerful authors, Toni Sala is at his mischievous best here, delivering a sinister, fast-moving tale laced with intricate meditations on everything from social networks to Spain’s economic collapse to the mysterious end that awaits us all. The Boys is a startlingly honest vision of the things we’ll do in order to feel a little less alone in this world.
PUBLISHERS WEEKLY
In a fatal car crash in the small Catalan town of Vidreres, two young men have died, leaving the entire town afflicted with a powerful grief. The story homes in on four of those townspeople, both directly and indirectly related to the dead: Ernest, a banker; Miqui, a coarse truck driver; Iona, the fianc e of one of the dead boys; and Nil, an unhinged artist in pursuit of Iona. In the days that follow the accident, these four make the dark, interconnected narrative: Miqui introduces Ernest to prostitutes, even while taking a fancy to Iona, and Nil tries to introduce the grieving Iona to a form of pyromania especially cruel to animals. "The dead gave life shape," the book states, and indeed, readers witness how the four lives are suspended and altered in the wake of the accident. Sala is a master of meditation, and the excitement and intrigue are never sacrificed despite digressive passages on Internet alienation, art, violence, phrases of grief, the Spanish recession, and love. One hopes this tremendous novel, already an award-winner overseas, will receive the attention it deserves here.
