The Crow’s-Nest The Crow’s-Nest

The Crow’s-Nest

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Publisher Description

THERE is an attraction about carpets and curtains, chairs and sofas, and the mantelpiece which is hard to explain, and harder to resist. I feel it in all its insidious power this morning as I am bidding them farewell for a considerable time; I would not have believed that a venerable Axminster and an arm-chair on three casters could absorb and hold so much affection; verily I think, standing in the door, it was these things that made Lot’s wife turn her unlucky head. Dear me, how they enter in, how they grow to be part of us, these objects of ordinary use and comfort that we place within the four walls of the little shelters we build for ourselves on the fickle round o’ the world! I have gone back, I have sat down, I will not be deprived of them; they are necessary to the courage with which every one must face life. I will consider nothing without a cushion, on the hither side of the window, braced by dear familiar bookshelves, and the fender. And Tiglath-Pileser has come, and has quoted certain documents, and has used gentle propulsive force, and behold, because I am a person whose contumacy cannot endure, the door is shut, and I am on the outside disconsolate.

I would not have more sympathy than I can afterwards sustain; I am only banished to the garden. But the banishment is so definite, so permanent! Its terms are plain to my unwilling glance, a long cane deck chair anchored under a tree. Overhead the sky, on the four sides the sky, without a pattern, full of wind and nothing. Abroad the landscape, consisting entirely of large mountains; about, the garden. I never regarded a garden with more disfavour. Here I am to remain—but to remain! The word expands, you will find, as you look into it. Man, and especially woman, is a restless being, made to live in houses roaming from room to room, and always staying for the shortest time moreover, if you notice, in the one which is called the garden. The subtle and gratifying law of arrangement that makes the drawing-room the only proper place for afternoon tea operates all through. The convenience of one apartment, the quiet of another, the decoration of another regularly appeal in turn, and there is always one’s beloved bed, for retirement when the world is too much with one. All this I am compelled to resign for a single fixed fact and condition, a cane chair set in the great monotony of out-of-doors. My eye, which is a captious organ, is to find its entertainment all day long in bushes—and grass. All day long. Except for meals it is absolutely laid down that I am not to “come in.” They have not locked the doors, that might have been negotiated, they have gone and put me on my honour. From morning until night I am to sit for several months and breathe, with the grass and the bushes, the beautiful pure fresh air. I don’t know why they have not asked me to take root and be done with it. In vain I have represented that microbes will agree with them no better than with me; it seems the common or house microbe is one of the things that I particularly mustn’t have. Some people are compelled to deny themselves oysters, others strawberries or artichokes; my fate is not harder than another’s. Yet it tastes of bitterness to sit out here in an April wind twenty paces from a door behind which they are enjoying, in customary warmth and comfort, all the microbes there are.

GENRE
Fiction & Literature
RELEASED
2024
May 9
LANGUAGE
EN
English
LENGTH
180
Pages
PUBLISHER
Library of Alexandria
SELLER
The Library of Alexandria
SIZE
736.9
KB

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