The Feast of Roses
A Novel
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4.5 • 4 Ratings
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- $14.99
Publisher Description
"A rich historical tapestry...Sundaresan colors the life of a fascinating woman whose female wiles inspired the Taj Mahal" (Booklist).
The love story of Emperor Jahangir and Mehrunnisa, begun in the critically praised debut novel The Twentieth Wife, continues in Indu Sundaresan's lush second novel, The Feast of Roses.
Here, Mehrunnisa comes into Jahangir's harem as his twentieth and last wife. This time Jahangir has married for love, and members of his court are worried that Mehrunnisa could exert control over their futures. Their concerns are well founded.
Mehrunnisa soon becomes the most powerful woman in the Mughal Empire in spite of a formidable rival in the imperial harem who has schemed and plotted against her from the start. She rules from behind the veil, securing her status by forming a junta of sorts with her father, brother, and stepson -- and risking it all, even her daughter, to get what she wants. But she never loses the love of the man who bestows this power upon her....
PUBLISHERS WEEKLY
Sundaresan picks up the story of Mehrunnisa, the remarkable heroine from her debut novel, Twenty Wives, as the so-called "Light of the World" consolidates her power as wife of Emperor Jahangir of the Mughal Empire in 17th-century India, only to see her dominion destroyed by her own aggressive tendencies. The early chapters find Mehrunnisa confronting two rivals, who happen to be old friends of her husband, and eliminating them in a brief series of power struggles. She also talks Jahangir into letting her appear at the jharokaceremony, in which the emperor presents himself to his subjects, an unprecedented achievement for a woman. Her problems start when Jahangir falls seriously ill and the battle for succession to the throne begins, a struggle that comes to a head when Mehrunnisa fails to marry off her daughter, Ladli, to one of the primary contenders, Prince Khurram. The battle for succession escalates, but even as Mehrunnisa maneuvers to keep power, her downfall is sealed by a pivotal incident in which she accidentally kills a palace intruder. The novel's scope and ambition are impressive, as are the numerous period details and descriptions of the various cultural ceremonies that distinguish court life in royal India. But Sundaresan delves into too many palace intrigues in this overplotted affair, which seems especially cluttered in the first half, and her florid, busy writing style produces some uneven, tedious stretches. The book's setting brings to life an underexplored period in fiction, however, and readers who enjoyed the first volume will find similar pleasures tracking the fate of one of history's most intriguing women.
