The Godmother
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- $8.99
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- $8.99
Publisher Description
Elizabeth Ann Scarborough’s The Godmother puts a new twist on contemporary fantasy with the assertion that fairy godmothers exist here and now, and they have magical power that allows them to intervene in real-world problems.
What if someone wished a fairy godmother would help the entire city of Seattle? An overworked, overstressed social worker named Rose Samson does just that when she makes an idle wish on a mustard seed. Felicity Fortune of “Godmothers Anonymous” shows up to help. Rose Samson is neither fashion model beautiful, nor a twit, and she happily joins forces with Felicity Fortune, a “Godmother” who demonstrates that Grimm’s fairy tales are still relevant in our humdrum modern world.
Fairy godmothers are on a magical budget, so every possible way they can get human beings or animals to assist one another, they will try, rather than using up their magical means.
Felicity encounters many strangely familiar situations: a pretty stablehand named Cindy Ellis is mistreated by her cruel stepsisters. A rock star’s daughter, scared of the supermodel her dad married, runs away from home and meets seven Vietnam veterans at an encounter session and retreat. One of them might be a big bad wolf, who knows?
In all their experiences, Rose and Felicity try to blend their magical aid with realistic human initiative and social responsibility. Scarborough’s fully realized settings, with the humor built into the mix of magical solutions and grim reality, make this work an entertaining and compelling read.
PUBLISHERS WEEKLY
Scarborough's new fantasy adds an interesting riff to a familiar theme: What if fairy godmothers existed today and they had enough magical power to effectively meddle in real-world problems? Though Scarborough (winner of a Nebula for The Healer's War) has lots of fun with this concept, she securely grounds her tale by setting it in and around a believable social-services agency in Seattle and by making her protagonist sympathetic and realistic. Rose Samson is neither stereotypically gorgeous nor foolishly stupid, and she willingly joins forces with Felicity Fortune, a ``Godmother'' who shows her how the archetypes in Grimm's fairy tales are still relevant in our blighted modern world. The two work with, among others, a sweet and smart pair of Hansel and Gretel-like abandoned children named Hank and Gigi, a Snow White (``Sno'') who is royal only by dint of her father's rock-star status and ``Cindy,'' who is suing her stepmother for control of her trust fund. In each case, Rose and Felicity attempt to interweave their magical aid with large doses of human initiative and social responsibility. While this narrative blending of conscience and enchantment is undermined by preachiness and a too earnest desire to avoid simple solutions to complex issues, Scarborough's well-detailed settings and the humor implicit in the clash between magical solutions and grim reality make this tale, while not the author's best, both entertaining and compelling.
