The Good Son
A Novel
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4.0 • 2 Ratings
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- $17.99
Publisher Description
“Rich and complex, The Good Son is a compelling novel about the aftermath of a crime in a small, close-knit community.”—Kristin Hannah, New York Times bestselling author
From #1 New York Times bestselling author Jacquelyn Mitchard comes the gripping, emotionally charged novel of a mother who must help her son after he is convicted of a devastating crime.
What do you do when the person you love best becomes unrecognizable to you? For Thea Demetriou, the answer is both simple and agonizing: you keep loving him somehow.
Stefan was just seventeen when he went to prison for the drug-fueled murder of his girlfriend, Belinda. Three years later, he’s released to a world that refuses to let him move on. Belinda’s mother, once Thea’s good friend, galvanizes the community to rally against him to protest in her daughter’s memory. The media paints Stefan as a symbol of white privilege and indifferent justice. Neighbors, employers, even some members of Thea's own family turn away.
Meanwhile Thea struggles to understand her son. At times, he is still the sweet boy he has always been; at others, he is a young man tormented by guilt and almost broken by his time in prison. But as his efforts to make amends meet escalating resistance and threats, Thea suspects more forces are at play than just community outrage. And if there is so much she never knew about her own son, what other secrets has she yet to uncover—especially about the night Belinda died?
PUBLISHERS WEEKLY
The disappointing latest from Mitchard (The Deep End of the Ocean) begins with an irresistible dilemma and morphs into a long-winded, unconvincing melodrama. The setup: comfortable middle-class Wisconsin English professor Thea Demetriou must face her beloved 20-year-old son Stefan, who has just spent two years and change in prison for killing his girlfriend Belinda McCormack in a drug-induced frenzy. Formerly, Thea was friends with Belinda's mother, Jill, who now dedicates her time to leading protests outside Thea's house over Stefan's lax punishment. Mitchard sensitively details Stefan's painful reintroduction to society, the horrified response of the liberal community to Stefan's attempts at rehabilitation, and Thea's attempts to reconcile her love for her son with his crime. But Mitchard swerves disarmingly from psychological study to would-be thriller, as Thea receives mysterious calls from a young woman who says she knows what actually happened on the day of the killing, and starts to notice the presence of an unsettling hooded figure. Readers will likely figure out what's going on long before Thea does, and the plot undercuts any emotional or ethical tension the book might have had. Those hoping for an exploration of the conflict between maternal love and moral responsibility will be frustrated.
