The Hatred of Poetry
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4.0 • 3 Ratings
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- $11.99
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- $11.99
Publisher Description
Novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its continued relevance.
Poetry. Perhaps Marianne Moore said it best: "I, too, dislike it." What other art takes its marginality as a given, and is so widely bemoaned even by its practitioners? Ben Lerner writes, "Many more people agree they hate poetry than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore."
In this inventive and plain-spoken essay, Lerner takes the hatred of poetry as the starting point of his defence of the art. He examines both poetry's greatest haters (beginning with Plato, who famously claimed that an ideal city had no place for poets, who would only corrupt and mislead the young) and its greatest practitioners, providing inspired close-readings of Keats, Dickinson, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every poem: the impulse to launch the experience of an individual into a timeless, communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.
PUBLISHERS WEEKLY
In lucid and luminous prose, poet and novelist Lerner (10:04) explores why many people share his aversion to poetry, which he attributes, paradoxically, to the deeply held belief that poetry ought to have tremendous cultural value. The "bitterness of poetic logic," Lerner claims, is that its transcendent ideal universal, trans-historical, divinely inspired always falls short in the actual expression. He explains that when readers read with, in Marianne Moore's words, "perfect contempt" skeptically and critically they find that poetry clears a space for the genuine, even if the "planet-like music" of the spheres cannot be adequately captured by human language. Ably moving from Plato and Caedmon to John Keats and Emily Dickinson and then to Amiri Baraka and Claudia Rankine, Lerner offers a concise primer on how to read a poem, along with a humorous, faintly regretful look at how individual poems fail to live up to the ideals readers have for them. Lerner's brief, elegant treatise on what poetry might do and why readers might need it is the perfect length for a commute or a classroom assignment, clearing a space for both private contemplation and lively discussion.
