The House of Special Purpose
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4.3 • 9 Ratings
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- $6.99
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- $6.99
Publisher Description
Part love story, part historical epic, part tragedy, The House of Special Purpose illuminates an empire at the end of its reign.
Eighty-year-old Georgy Jachmenev is haunted by his past—a past of death, suffering and scandal that will stay with him until the end of his days. Living in England with his beloved wife Zoya, Georgy prepares to make one final journey back to the Russia he once knew and loved, the Russia that both destroyed and defined him.
As Georgy remembers days gone by, we are transported to St. Petersburg in the early 20th century, to the Winter Palace of the Tsar. A time of change, threat and bloody revolution.
And as Georgy overturns the most painful stone of all, we uncover the story of the house of special purpose.
PUBLISHERS WEEKLY
Boyne reworks perennial rumors that Anastasia, the youngest daughter of Russia's last czar, escaped the Bolshevik firing squad that killed her family, in an overstuffed romantic novel elevated by the author's prose gifts but fatally lacking in credibility. Early chapters involving narrator Georgy Daniilovich Jachmenev's boyhood in a tiny Russian village are convincing, but when he's unexpectedly chosen as a companion for the imperial heir, Alexei, the plot veers into highly improbable territory. On Georgy's first day in St. Petersburg, he locks eyes with the 15-year-old Anastasia, feeling an immediate connection to her; glimpses Alexandra, the czar's wife, privately conferring with her evil mentor, Rasputin; and enjoys an intimate chat with Nicholas II himself, who chooses to tell an uneducated 16-year-old country boy about his heavy responsibilities. These flashbacks alternate with Georgy's life in London, where he and his wife, Zoya, have lived for two decades after fleeing the Russian Revolution. Readers who know little about Russian history may find this novel suspenseful, but others will be better off with Boyne's 2012 novel, The Absolutist, which sustains a taut, unsentimental plot without the romantic excess that mars this effort.
