The House On Fortune Street
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- $11.99
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- $11.99
Publisher Description
It seems like mutual good luck for Abigail and Dara when they meet at university and, despite their differences, become fast friends. Years later, they remain an unlikely pair: Abigail, an actress who confidently uses her charms both on and off stage, is reluctant to commit; Dara, a therapist, throws herself into every relationship with frightening intensity. Yet each seems—another stroke of luck?—to have found “true love”—Abigail with her academic boyfriend, and Dara with a tall, dark violinist.
Soon, however, trouble threatens both relationships and the women’s friendship. Through four ingeniously interlocking narratives, Margot Livesey skillfully reveals how luck—good and bad—plays a vital role in our lives, and how our childhood legacies may be harder to leave behind than we hope. “Vibrant, evocative, irresistible” (Los Angeles Times), The House on Fortune Street offers a surprisingly provocative detective story of the heart, one that will keep you in its thrall.
PUBLISHERS WEEKLY
The absorbing latest from Livesey (Homework) opens multiple perspectives on the life of Dara MacLeod, a young London therapist, partly by paying subtle homage to literary figures and works. The first of four sections follows Keats scholar Sean Wyman: his girlfriend, Abigail, is Dara's best friend, and the couple lives upstairs from Dara in the titular London house. While Dara tries to coax her boyfriend Edward to move out of the house he shares with his ex-girlfriend and daughter, Sean receives a mysterious letter implying that Abigail is having an affair, and both relationships start to fall apart. The second section, set during Dara's childhood, is narrated by Dara's father, who has a strange fascination with Charles Dodgson (aka Lewis Carroll) and shares Dodgson's creepy interest in young girls. Dara's meeting with Edward dominates part three, which mirrors the plot of Jane Eyre, and the final part, reminiscent of Great Expectations, is told mainly from Abigail's college-era point of view. The pieces cross-reference and fit together seamlessly, with Dara's fate being revealed by the end of part one and explained in the denouement. Livesey's use of the classics enriches the narrative, giving Dara a larger-than-life resonance.
