From the National Book Award-winning author of Slaves in the Family, a riveting true life/true crime narrative of the partnership between the murderer who invented the movies and the robber baron who built the railroads.
One hundred and thirty years ago Eadweard Muybridge invented stop-motion photography, anticipating and making possible motion pictures. He was the first to capture time and play it back for an audience, giving birth to visual media and screen entertainments of all kinds. Yet the artist and inventor Muybridge was also a murderer who killed coolly and meticulously, and his trial is one of the early instances of a media sensation. His patron was railroad tycoon (and former California governor) Leland Stanford, whose particular obsession was whether four hooves of a running horse ever left the ground at once. Stanford hired Muybridge and his camera to answer that question. And between them, the murderer and the railroad mogul launched the age of visual media.
Set in California during its frontier decades, The Tycoon and the Inventor interweaves Muybridge's quest to unlock the secrets of motion through photography, an obsessive murder plot, and the peculiar partnership of an eccentric inventor and a driven entrepreneur. A tale from the great American West, this popular history unspools a story of passion, wealth, and sinister ingenuity.
Uncovering an enigmatic figure whose complicated relationship with a railroad tycoon helped to usher in the proto-motion picture industry, Ball, a National Book Award-winner for 1998's Slaves in the Family, constructs a readable, dual biography rife with ambition, greed, corruption, and murder. Concentrating on each man's ascendance in their respective fields, Ball gracefully guides readers toward the confluence of these two disparate individuals' lives. Leland Stanford, former California governor and president of the Southern Pacific railroad, hired Edward Muybridge, famed photographer and eccentric, to document the former's mansion in Sacramento. However, it was not until 1872, when Muybridge captured Stanford's prized horses in motion (the mogul was interested in whether all four of a horse's legs ever simultaneously left the ground), that their relationship took on any lasting significance. While the author's research and passion for the subject reaffirm Muybridge's place as a pioneer of 19th-century photography and motion pictures, Ball's emphasis on Muybridge's 1874 murder of his wife's lover and his eventual acquittal brought about by a defense team arranged by Stanford falls short of scandalous drama. It is a minor default in an otherwise enlightening tale of power, the wedding of art and technology, and tragedy. Photos & illus.