The Josephine Baker Story
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- $19.99
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- $19.99
Publisher Description
This is the story of no ordinary life...Josephine Baker emerged from sordid poverty and racial intolerance in early 20th-century St Louis to delight audiences across the world with her exuberant dancing and clowning, becoming a genuine and much-loved star of the stage.
After becoming talk of the town in the USA, Baker moved to Paris and caused a scandal with her sexual frankness in the debauched cabarets, including the infamous Folies Bergere. Her reputation grew as she continued to tour, at once seen as a symbol of liberation and a demon of licentiousness.
Her life would continue to develop in the most unexpected and unusual ways - she received the Legion D'Honneur for her role in World War II, and a Josephine Baker day was dedicated in the US in recognition for her work for racial equality.
This remarkable story of rags-to-riches-to-rags-to-riches stands as a shining example of the power of human endeavour.
PUBLISHERS WEEKLY
After she had been the toast of Europe for 15 years, Baker met with the following assessment of her heralded American tour from Time magazine: "Josephine Baker is a St. Louis washer-woman's daughter who stepped out of a Negro burlesque show into a life of adulation and luxury in Paris in sex appeal to jaded Europeans, a Negro wench always has a head start." Clearly, the racism Baker thought she had left behind when she went to Europe with an all-black musical revue was still alive, yet one more barrier against a woman who consistently faced and overcame adversity. In this chatty and informed biography--culled mostly from existing biographies and general books on the era--Wood (George Gershwin) charts the amazing life and times of "La Baker." Her life story reads like a novel coauthored by Toni Morrison and Danielle Steel--she rose from poverty in the U.S., became famous for dancing almost nude in the Folies Berg re (she wore only a skirt made of bananas), worked for the French Resistance, spoke out vehemently against Nazism and all forms of racism, married numerous times and became a glamorous international star who performed until her death in 1975. While Wood's biography contains no surprises, its workmanlike diligence is an improvement over Lyn Haney's 1981 Naked at the Feast, which glossed over the complications of Baker's life, and Phyllis Rose's 1989 Jazz Cleopatra, which took an oddly hostile tone to the performer. Wood is not at his best explaining the deep contradictions of Baker's life and politics (such as her support of Mussolini's 1935 invasion of Ethiopia), but he offers a good introduction to her life and times. Photos not seen by PW.
