The Last Four Things
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3,9 • 14 notes
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- 8,99 $
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- 8,99 $
Description de l’éditeur
The epic story of Thomas Cale—introduced so memorably in The Left Hand of God—continues as the Redeemers use his prodigious gifts to further their sacred goal: the extinction of humankind and the end of the world...
To the warrior-monks known as the Redeemers, “the last four things” represent the culmination of a faithful life. Death. Judgment. Heaven. Hell. The last four things represent eternal bliss—or endless destruction, permanent chaos, and infinite pain.
Perhaps nowhere are the competing ideas of heaven and hell exhibited more clearly than in the dark and tormented soul of Thomas Cale. Betrayed by the girl he loves but still marked by a child’s innocence, possessed of a remarkable aptitude for violence but capable of extreme tenderness, Cale will lead the Redeemers into a battle for nothing less than the fate of the human race. And though his broken heart foretells the bloody trail he will leave in pursuit of a personal peace he can never achieve, a glimmer of hope remains—the question even Cale can’t answer: When it comes time to decide the fate of the world, to ensure the extermination of humankind or spare it, what will he choose? To express God’s will on the edge of his sword, or to forgive his fellow man—and himself?
PUBLISHERS WEEKLY
In this underwhelming sequel to 2010's The Left Hand of God, escaped acolyte Thomas Cale is captured and returned to the forbidding Sanctuary, a massive fortress run by a sect of cruel monks who train their young male charges to become soldiers in their ongoing war against the Antagonists. Impressed by the darkly gifted young Cale, the Redeemer Bosco continues molding him to become the Angel of Death who will bring about the end of the world. As Cale becomes a renowned military leader and his mythical stature grows, he remains deeply troubled by personal questions, namely the betrayal of the beautiful Arbell Materazzi. While readers will be impressed by the depth of the setting and the elaborate action sequences, the lack of any substantial character development other than Cale's fretting over his insecurities leaves this installment with a classic case of middle book syndrome.
