The Leaving Season
A Memoir
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- $17.99
Publisher Description
“One of the most beautifully written books I've ever read. Kelly McMasters is a literary giant.”—Zibby Owens, Good Morning America
A memoir in intimate essays navigating marriage and motherhood, art and ambition, grief and nostalgia, and the elusive concept of home.
Kelly McMasters found herself in her midthirties living her fantasy: she’d moved with her husband, a painter, from New York City to rural Pennsylvania, where their children roamed idyllic acres in rainboots and diapers. The pastoral landscape and the bookshop they opened were restorative at first, for her and her marriage. But soon, she was quietly plotting her escape.
In The Leaving Season, McMasters chronicles the heady rush of falling in love and carving out a life in the city, the slow dissolution of her relationship in an isolated farmhouse, and the complexities of making a new home for herself and her children as a single parent. She delves into the tricky and often devastating balance between seeing and being seen; loss and longing; desire and doubt; and the paradox of leaving what you love in order to survive.
Whether considering masculinity in the countryside through the life of a freemartin calf, the vulnerability of new motherhood in the wake of a car crash, or the power of community pulsing through an independent bookshop, The Leaving Season finds in every ending a new beginning.
PUBLISHERS WEEKLY
Musings on art, marriage, and motherhood animate this beautifully written collection from Hofstra University English professor McMasters (Welcome to Shirley). In the opener, McMasters signals that her marriage is doomed. She then leaves that idea to simmer in the background as she covers her life before and after meeting her husband, R. She writes with humor about her first job out of college as an assistant at a Manhattan law firm ("I felt like Melanie Griffith in Working Girl"), and with palpable terror about barely surviving 9/11. Elsewhere, she discusses the "brutality" of "part-time country houses turned full-time residences" after she left New York City with R. and their two children for a farmhouse in rural Pennsylvania that brought her closer to the elements than she was used to. Their choice to leave the city marked the beginning of the end for McMasters, who grew restless as she ran a bookshop and cared for the children while R. painted and drifted away. Eventually, the couple divorced, and McMasters adjusted to life as a single mother. McMasters suffuses these essays with compassion and curiosity, neither pulling her punches nor succumbing to bitterness. The result is a powerfully candid ode to difficult endings.
