The Liar's Dictionary
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3.5 • 6 Ratings
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- $15.99
Publisher Description
“You wouldn’t expect a comic novel about a dictionary to be a thriller too, but this one is. In fact, [it] is also a mystery, love story (two of them) and cliffhanging melodrama.” —The New York Times Book Review
An exhilarating, clever, funny debut novel from a prize-winning talent, chronicling the misadventures of a lovelorn Victorian lexicographer and the young woman who decodes his trail of made-up words a century later. Will enthrall readers of CS Richardson, Helen Simonson's Major Pettigrew and Eleanor Oliphant Is Completely Fine.
Mountweazel (n.), the phenomenon of false entries within dictionaries and works of reference. Often used as a safeguard against copyright infringement.
In the final year of the nineteenth century, Peter Winceworth is toiling away at the letter S for Swansby’s multivolume Encyclopaedic Dictionary. Increasingly uneasy that his colleagues are attempting to corral language and regiment facts, Winceworth feels compelled to assert some sense of individual purpose and artistic freedom, and begins inserting unauthorized, fictitious entries into the dictionary.
In the present day, Mallory, a young intern employed by the publisher, must uncover these mountweazels before the work is digitized for modern readers. Through the words and their definitions, she begins to sense their creator’s motivations, hopes and desires. More pressingly, she also has to contend with threatening phone calls from an anonymous caller. Is the change in the definition of marriage (n.) really that controversial? And does the caller truly intend for the Swansby’s staff to “burn in hell”?
As these two narratives combine, Winceworth and Mallory, separated by one hundred years, must discover how to negotiate the complexities of the often untrustworthy, hoax-strewn and undefinable path we call life. An exhilarating and laugh-out-loud debut, The Liar’s Dictionary celebrates the rigidity, fragility, absurdity and joy of language while peering into questions of identity and finding one’s place in the world.
PUBLISHERS WEEKLY
In Williams's comically inventive debut novel (after the collection Attrib.), a woman must ferret out the falsities intentionally embedded in a dictionary. Mallory, the sole employee of David Swansby at Swansby's New Encyclopaedic Dictionary, spends her days fielding angry, elliptical bomb threats from an unidentified crackpot. Then, one day, Swansby gives her a special assignment to find all the mountweazels placed in his family's dictionary over the years. (A mountweazel is a fake word placed in reference works to protect against copyright infringement.) Williams flashes back to 1899, when Swansby's is a bustling enterprise that employs many lexicographers, among them Peter Winceworth, who loves to dream up mountweazels ("relectoblivious (adj.), accidentally rereading a phrase or line due to lack of focus or desire to finish"). Mallory and her lover, Pip, search for these fake words and try to ascertain the identity of the anonymous mountweazeler, while in a parallel narrative Winceworth falls frustratingly in love with a fellow lexicographer's fianc e, leading to two surprising and emotionally satisfying conclusions. The author combines a Nabokovian love of wordplay with an Ali Smith like ability to create eccentric characters who will take up permanent residence in the reader's heart. This is a sheer delight for word lovers.
