The Mistressclass
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- $4.99
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- $4.99
Publisher Description
Adam is a writer, struggling to come to terms with the death of his painter father, Robert, and his difficult marriage to Catherine. Before he married Catherine, he had been the lover of her sister, Vinny. The classic menage à trois seems about to repeat itself, when Adam discovers his wife's father was less innocent than he had thought.
Set mainly in contemporary London, partly in France, the action also harks back to the 1970's. The narrative evokes the style of the nineteenth century novelists and their themes: desire, guilt, pleasure. Pastoral landscapes alternate with those of the inner city and the past's interaction with the present is acted out by ghosts. The dead father haunts his son; in real life Vinny haunts her sister; and the whole novel is haunted by one of its great earliest exponents, Charlotte Bronte, and her passionate search for creative fulfilment.
PUBLISHERS WEEKLY
In her 12th novel, the Booker shortlisted Roberts (The Looking Glass) presents two London writer-sisters in their early 50s locked in a slow-motion love triangle. The more practical Catherine, whom Roberts makes pointedly slim, teaches part time at a local college, writes pornographic novels using an alias to supplement her income and is married to Adam, a critically well-regarded though not commercially successful novelist. Vinny, a poet, has a spotty employment record and a thicker waist, but takes literature much more seriously, and had known and loved Adam first. In a series of flashbacks, Vinny loses him to Catherine on a vacation the three take to France to visit Adam's father, Robert, a painter who has a house there. The novel progresses in an undemanding and not unpleasant free, indirect style, and readers may find themselves rooting for warmer, more tolerant and honest Vinny to become reinvolved with Adam, who has grown weary of Catherine's adept negotiations with the world. That story is intercut with a subplot that turns on Vinny's love for Charlotte and Emily Bront and includes the by now somewhat tired gambit of fictionalized letters that invert the main story; Charlotte writes to her former teacher at a Brussels boarding school, Monsieur Heger, whom she loves with a searing passion despite her marriage to a clergyman. Roberts delivers familiar midlife pathos, longing and literary frisson unpretentiously and with enough flourish to hold interest throughout.
