Kenneth Oppel’s most haunting story yet . . .
She was very blurry, not at all human looking. There were huge dark eyes, and a kind of mane made of light, and when she spoke, I couldn't see a mouth moving, but I felt her words, like a breeze against my face, and I understood her completely.
"We've come because of the baby," she said. "We've come to help."
In this beautiful, menacing novel, perfect for fans of Neil Gaiman’s Coraline, an anxious boy becomes convinced that angels will save his sick baby brother. But these are creatures of a very different kind, and their plan for the baby has a twist. Layer by layer, he unravels the truth about his new friends as the time remaining to save his brother ticks down.
With evocative and disquieting illustrations by Caldecott Medal– and Governor General’s Award–winning artist Jon Klassen, The Nest is an unforgettable journey into one boy’s deepest insecurities and darkest fears.
Oppel (The Boundless) enters Gaimanesque territory with his portrayal of Steve, an older brother struggling with anxiety and his family's distress after his newborn brother, Theodore, is diagnosed with a rare congenital disorder. After a curious gray and white wasp from the hive above their house stings Steve, he develops the ability to speak to the hive's queen, who promises to replace the ailing baby with a new one. Agreeing to the queen's offer, Steve confronts a dangerous traveling knife sharpener, his parents' concerns over his mental health, and strange phone calls from Mr. Nobody, a family legend turned real, it seems. As Theodore's health deteriorates, Steve must decide what is best for his brother and what he will do to save him. Oppel infuses the natural world of the hive with chilling scenes of the queen's heartlessness ("Before you know it, you'll forget all about that crappy little broken baby") while Klassen's graphite drawings hauntingly depict the family's stress (an early image, all angles and shadows, shows Steve's parents standing solemnly over the baby's crib), as well as increasing tension between Theodore's complications and the wasps' growing power. In exploring the boundaries of science, self-determination, and belief, Oppel uses a dark and disturbing lens to produce an unnerving psychological thriller. Ages 8 12.
Customer ReviewsSee All
My favorite Kenneth Oppel book. What can be better than wasps that replace babies and eat children? And honestly, I like how the good becomes the bad and the bad becomes the good, and Steve learns that perfect maybe wasn’t the best thing. A classic novel.