The Other Mothers
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4,3 • 18 notes
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- 9,99 $
Description de l’éditeur
The author of the “twisty, fast-paced” (The Sunday Times, London) Greenwich Park returns with a fresh and deftly paced thriller about murder, class, and motherhood in an exclusive London community.
When a young nanny is found dead in mysterious circumstances, new mom, Tash, is intrigued. She has been searching for a story to launch her career as a freelance journalist. But she has also been searching for something else—new friends to help her navigate motherhood.
She sees them at her son’s new playgroup. The other mothers. A group of sleek, sophisticated women who live in a neighborhood of tree-lined avenues and stunning houses. The sort of mothers Tash herself would like to be. When the mothers welcome her into their circle, Tash discovers the kind of life she has always dreamt of—their elegant London townhouses a far cry from her cramped basement flat and endless bills. She is quickly swept up into their wealthy world via coffees, cocktails, and playdates.
But when another young woman is found dead, it’s clear there’s much more to the community than meets the eye. The more Tash investigates, the more she’s led uncomfortably close to the other mothers. Are these women really her friends? Or is there another, more dangerous reason why she has been so quickly accepted into their exclusive world? Who, exactly, is investigating who?
PUBLISHERS WEEKLY
A restless former newspaper reporter probes an accidental death in this pulse-pounding domestic thriller from British journalist Faulkner (Greenwich Park). Freelance writer and stay-at-home mom Natasha "Tash" Carpenter is casting about for story ideas when Jane Blake comes knocking at her door. Months ago, before Tash left her job at the London Evening Post to care for her toddler, she wrote an article reporting the coroner's ruling that Jane's 21-year-old daughter, Sophie, likely drowned while swimming drunk in a local reservoir. Jane believes someone murdered Sophie, however, and wants Tash to look into the matter. Tash acquiesces—at first to appease Jane, then because she becomes convinced she's on to something when she gets anonymous threats demanding she cease her investigation. After uncovering links between Sophie, a trio of fellow mothers Tash has recently befriended, their spouses, and Tash's own husband, she begins to worry where her inquiry might lead her next. Faulkner expertly interweaves Tash's increasingly paranoid first-person-present narration with sections from Sophie's perspective that detail her final months. Plausible suspects, persuasive red herrings, and seismic reveals enliven the precisely crafted plot. This one grips from start to shocking finish.
