The Passion for Life

I am in a restless mood to-night. There seems nothing to explain this, except that perhaps I am growing tired of the life I am leading, or it may be that there are influences at work of which I have no cognizance, but which affect my nerves. As I look out of my window I can see storm-clouds driven across the wild sky, while distant lights on the heaving sea are suggestive of mystery. The wind howls around my little wooden tenement, while above the roaring of the waves I can hear the dismal screech of the sea-birds, which, for some reason or other, have left their rocky resting-places. I do not know why it is, but the cry of the sea-birds is always suggestive of the wail of lost souls as they fly through the infinite spaces.

I did not mean to begin this way at all, for I want, as far as I can, to put all sad thoughts behind me.

Let me begin again then, and, if possible, strike a more cheerful note. I want something to interest me, and it has struck me that if during these long, dark evenings when I have to be alone I can place on record some of the events which have taken place since I have drifted to this part of the country, I shall be able not only to forget the shadow which hangs over my life, but to see streaks of blue sky amidst the storm-clouds, and to catch the bright rays of the sun which are constantly shining, even although the world says that we are living in a dark time.

But I am writing this also because, as it seems to me, the happenings of the last few months are of sufficient importance to record. Even although I were sure no one would read what I am going to write, I should still go on writing. Some one has said, I do not know who, that the life of a village is the life of a nation in miniature; and even although that may contain only a suggestion of the truth, certain am I that if I can faithfully record the events which have taken place in the little village of St. Issey, I shall have written something of the history of the great world outside.

Now that I have started writing, however, I immediately realize that, if I am to make my narrative comprehensible, I shall have to give some kind of personal explanation. Who am I, where am I, and why am I here? I promised just now that I would, as far as possible, avoid the sad things of life and dwell on the sunshine rather than on the shadow. But why should I? Life is made up of sunshine and shadow, and no one can give a faithful account of life without dwelling on both. Besides, what are the things we call sorrow and joy but contrasts? And life without contrasts would be unbearable. I will tell my story just as it is, then: its light and its shade; its hope and its despair.