The Prone Gunman
-
- $18.99
-
- $18.99
Publisher Description
"His books are all action, unfolding with a laconic efficiency that would make his killers proud."—The Economist
Martin Terrier is a hired killer who wants out of the game—so he can settle down and marry his childhood sweetheart. After all, that's why he took up this profession! But "the company" won't let him go: they have other plans. Once again, the gunman must assume the prone firing position. A tour de force, this violent tale shatters as many illusions about life and politics as it does bodies. Jean-Patrick Manchette subjects his characters and the reader alike to a fierce exercise in style.
This tightly plotted, corrosive parody of "the success story" is widely considered to be Manchette's masterpiece, and was named a New York Times "Notable Book." The Prone Gunman is a classic of modern noir.
"For Manchette and the generation of writers who followed him, the crime novel is no mere entertainment, but a means to strip bare the failures of society, ripping through veils of appearance, deceit, and manipulation to the greed and violence that are the society's true engines."—Boston Globe
"There's not a superfluous word or overdone effect . . . one of the last cool, compact and shockingly original crime novels Manchette left as his legacy to modern noir fiction."—New York Times
"For the first time readers can experience in English translation the masterful thriller considered Manchette's finest, proof positive that the French knew what they were talking about when they labeled this sort of novel 'noir'."—Publishers Weekly
"This superbly muscular translation of the late French mystery writer Jean-Patrick Manchette's most celebrated work, The Prone Gunman, is the third volume issued [by] City Lights Noir. The series may prove to be the most needed contribution to contemporary fiction by any publisher in a good long while."—The San Francisco Chronicle
Jean-Patrick Manchette was a French crime novelist credited with reinventing and reinvigorating the genre. He wrote ten short novels in the 1970s and early 80s, and is widely recognized as the foremost French crime fiction author of that time. His stories are violent, existentialist explorations of the human condition and French society. Jazz saxophonist and screenwriter, Manchette was also a left-wing activist influenced as much by the writings of the Situationist International as by Dashiell Hammett. Jean-Patrick Manchette's Three to Kill as well as the movie tie-in The Gunman are also published by City Lights Publishers.
PUBLISHERS WEEKLY
A legend in Europe for the spectacularly tight and innovative thrillers he wrote for S rie Noire beginning in 1971, Manchette (1942 1995) retired from the field after this tour de force of violence and the absurd appeared in 1981, apparently feeling he had reached the apex of his art. Martin Terrier plans on quitting his career as a paid assassin and marrying his childhood sweetheart, Anne, but his bosses in the gun-for-hire trade refuse to accept his resignation. Terrier's na ve expectations that his girlfriend will have chastely waited for him are ridiculous, of course, but no more so than his ex-boss's idea that this human killing machine can be forced to perform one last contract on a visiting politician without profound collateral bloodshed. Terse behaviorist prose "Terrier drew back a little on his seat and stopped pressing the barrel of the HK4 against the throat of the young man" drives the narrative relentlessly and even gleefully forward. Absolutely nothing goes as planned, while the hit man knocks off anyone who gets in his way even as Manchette mercilessly (and amusingly) chronicles the impotence unexpectedly plaguing Terrier's love life. For the first time readers can experience in English translation the masterful thriller considered Manchette's finest, proof positive that the French knew what they were talking about when they labeled this sort of novel noir. FYI:Recently City Lights issued another Manchette mystery,Three to Kill (Forecasts, Feb. 18). Like its predecessor, this one is subsidized in part by the French government.