The Resisting Muse: Popular Music and Social Protest The Resisting Muse: Popular Music and Social Protest
Ashgate Popular and Folk Music Series

The Resisting Muse: Popular Music and Social Protest

    • $74.99
    • $74.99

Publisher Description

Popular music has traditionally served as a rallying point for voices of opposition, across a huge variety of genres. This volume examines the various ways popular music has been deployed as anti-establishment and how such opposition both influences and responds to the music produced. Implicit in the notion of resistance is a broad adversarial hegemony against which opposition is measured. But it would be wrong to regard the music of popular protest as a kind of dialogue in league against 'the establishment'. Convenient though they are, such 'us and them' arguments bespeak a rather shop-worn stance redolent of youthful rebellion. It is much more fruitful to perceive the relationship as a complex dialectic where musical protest is as fluid as the audiences to which it appeals and the hegemonic structures it opposes. The book's contemporary focus (largely post-1975) allows for comprehensive coverage of extremely diverse forms of popular music in relation to the creation of communities of protest. Because such communities are fragmented and diverse, the shared experience and identity popular music purports is dependent upon an audience collectivity that is now difficult to presume. In this respect, The Resisting Muse examines how the forms and aims of social protest music are contingent upon the audience's ability to invest the music with the 'appropriate' political meaning. Amongst a plethora of artists, genres, and themes, highlights include discussions of Aboriginal rights and music, Bauhaus, Black Sabbath, Billy Bragg, Bono, Cassette culture, The Capitol Steps, Class, The Cure , DJ Spooky, Drum and Bass, Eminem, Farm Aid, Foxy Brown, Folk, Goldie, Gothicism, Woody Guthrie, Heavy Metal, Hip-hop, Independent/home publishing, Iron Maiden, Joy Division, Jungle, Led Zeppelin, Lil'Kim, Live Aid, Marilyn Manson, Bob Marley, MC Eiht, Minor Threat, Motown, Queen Latifah, Race, Rap, Rastafarianism, Reggae, The Roots, Diana Ross, Rush, Salt-n-Pepa, 7 Seconds, Roxanne Shanté, Siouxsie and the Banshees, The Sisters of Mercy, Michelle Shocked, Bessie Smith, Straight edge Sunrize Band, Bunny Wailer, Wilco, Bart Willoughby, Wirrinyga Band, Zines.

GENRE
Arts & Entertainment
RELEASED
2017
September 29
LANGUAGE
EN
English
LENGTH
255
Pages
PUBLISHER
Taylor & Francis
SELLER
Taylor & Francis Group
SIZE
1.5
MB
The Routledge History of Social Protest in Popular Music The Routledge History of Social Protest in Popular Music
2013
The Clash Takes on the World The Clash Takes on the World
2017
Mute Records Mute Records
2018
Present Tense Present Tense
1992
Crossing Traditions Crossing Traditions
2013
Bring the Noise Bring the Noise
2011
Culture, the Arts, and Inequality Culture, the Arts, and Inequality
2025
The Bloomsbury Handbook of Popular Music and Social Class The Bloomsbury Handbook of Popular Music and Social Class
2020
Music, Sound, and Silence in Buffy the Vampire Slayer Music, Sound, and Silence in Buffy the Vampire Slayer
2017
Black British Music in America, 1967–2000 Black British Music in America, 1967–2000
2025
Bee Gees, Process and Latent Elements in Music Production Bee Gees, Process and Latent Elements in Music Production
2024
How to Make Music in an Epidemic How to Make Music in an Epidemic
2024
Interrogating Popular Music and the City Interrogating Popular Music and the City
2024
Another Song for Europe Another Song for Europe
2020