The Rime of the Ancient Mariner
New illustrated edition with 38 original drawings by Gustave Doré, restored, enhanced and coloured in a brilliant deep blue tint
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Publisher Description
New edition for tablet with original illustrations based on wood engravings by Gustave Doré, restored, enhanced and coloured in a brilliant deep blue tint.
The Rime of the Ancient Mariner (originally The Rime of the Ancyent Marinere) is the longest major poem by the English poet Samuel Taylor Coleridge, written in 1797–98 and published in 1798 in the first edition of Lyrical Ballads. Modern editions use a revised version printed in 1817 that featured a gloss. Along with other poems in Lyrical Ballads, it was a signal shift to modern poetry and the beginning of British Romantic literature.
The text of the novel is complete and unabridged (1834 edition) and there are all 38 original illustrations by Gustave Doré restored and enhanced.
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Learn or improve your English, French, German, Spanish or Italian by reading the bilingual edition of this ebook or another bilingual parallel texts ebooks for tablet by the same editor. An easy to read paragraph by paragraph English-German, English-French, English-Spanish or English-Italian parallel text versions.
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"It is an ancient Mariner, and he stoppeth one of thee...." Although these ominous lines perennially instill fear of final exams and term papers in the minds of high school students and Romantic English majors, they're not often remembered by adults. Mason's reading of Coleridge's 1796 epic poem is at once hypnotic and stirring. The Academy Award nominated actor reads the chilling tale involving clashes with sea monsters, a boat swarming with zombies and a dice game with Death in an authoritative English accent. Like the ocean surrounding the Mariner's ship, his voice ebbs and flows with the imaginative poem's various heights. He quickly rattles off, "water, water, every where, and all the boards did shrink; Water, water, everywhere, nor any drop to drink" but gently whispers "And I had done an hellish thing, and it would work 'em woe: For all averred, I had killed the bird that made the breeze to blow." Coleridge (1772 1834), uses words to make the fantastical believable, and here, Mason brings those words vividly to life. A bonus track features Mason's animated reading of The Hunting of the Snark, an eight-canto poem by Lewis Carroll.
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