The Secret Life
Three True Stories of the Digital Age
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4.0 • 1 Rating
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- $14.99
Publisher Description
From the award-winning author of The Illuminations, a significant and timely work of non-fiction by one of the most important writers of his generation.
Julian Assange, a man who, five years ago, seemed to herald a new, enlightened form of democracy -- until, that is, the apparent heroism of WikiLeaks became compromised by his hubris and paranoia. Satoshi Nakamoto, another man who radically reshaped the business of information and secrecy on a global scale. He is known as the elusive inventor of Bitcoin, but who is the real Satoshi -- a lone wolf or a collective of individuals with the talent to reimagine the financial wheel? And Ronald Pinn, a man who does not exist at all, except in the furthest, darkest reaches of O'Hagan's internet use. Driven by an interest in the ease with which it is possible to create an identity in an online world, O'Hagan journeys into the dark web where everything -- sex, drugs, guns -- is for sale.
The Secret Life is about these elusive individuals, written in three individual yet deeply connected essays. It is a dazzling book about the porousness between genius and madness, between fact and fiction. It is about nothing less than modern personality in the digital age.
PUBLISHERS WEEKLY
This splendid collection from novelist O'Hagan (The Illuminations) brings together three essays originally published in the London Review of Books that explore identity in the digital age through three figures: Julian Assange, the founder of Wikileaks; Craig Steven Wright, who may or may not be the creator of bitcoin; and Ronald "Ronnie" Pinn, who, despite a U.K. passport, mailing address, and gaggle of Facebook friends, is not real. The piece on Assange would be the standout in an ordinary essay collection, but this is not one of those, and O'Hagan's study of the Australian hacker, for whom he once ghostwrote the first draft of an autobiography, while absorbing, pales in comparison with the profile of Wright (who comes across as an eccentric but altogether more likable character than the narcissistic Assange). But it is Ronnie Pinn, a digital identity created by O'Hagan based on a name from a headstone, whose pseudoexistence says the most about who we are now. O'Hagan's grasp of storytelling is prodigious, and the ending of his essay on Pinn is a particularly inspired, even moving, piece of writing. Taken as a whole, this is an unmissable collection of up-to-the-moment insights about life in our digital era.
